Dramatic Jouissance in Edward Bond’s Born
Edward Bond’s 2006 play Born is set in a police state, and is haunted by recurrent rattling sounds. The article suggests that these disturbances to audio visual synchrony may be used to stage Lacan’s ‘fluid’ relationship between signifier and signified, allowing audiences to encounter “radical point...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2014-12-01
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| Series: | E-REA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/erea/3991 |
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