Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź

In the late 1920s, the members of the Polish avant-garde a.r. Group decided to put together a collection to demonstrate the principal trends of modern art present in Europe. Over a few, they managed to bring together several dozen works that now constitute the historical collection of the Muzeum Szt...

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Main Author: Matylda Taszycka
Format: Article
Language:fra
Published: École du Louvre 2016-10-01
Series:Les Cahiers de l'École du Louvre
Online Access:https://journals.openedition.org/cel/315
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author Matylda Taszycka
author_facet Matylda Taszycka
author_sort Matylda Taszycka
collection DOAJ
description In the late 1920s, the members of the Polish avant-garde a.r. Group decided to put together a collection to demonstrate the principal trends of modern art present in Europe. Over a few, they managed to bring together several dozen works that now constitute the historical collection of the Muzeum Sztuki of Łódź (Poland). Constituted thanks to the generosity of the authors solicited, local and foreign, this exceptional ensemble is similar to an artist’s collection whose study enables the international relations of the Polish avant-garde in the interwar period to be retraced. The article analyses the strategy of the a.r. Group and examines the vision of the history of modern art that the artists sought to convey through their collection.
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publisher École du Louvre
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series Les Cahiers de l'École du Louvre
spelling doaj-art-71fbb5b7e8e4480192d603c36622b7cb2025-01-30T13:59:41ZfraÉcole du LouvreLes Cahiers de l'École du Louvre2262-208X2016-10-01610.4000/cel.315Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à ŁódźMatylda TaszyckaIn the late 1920s, the members of the Polish avant-garde a.r. Group decided to put together a collection to demonstrate the principal trends of modern art present in Europe. Over a few, they managed to bring together several dozen works that now constitute the historical collection of the Muzeum Sztuki of Łódź (Poland). Constituted thanks to the generosity of the authors solicited, local and foreign, this exceptional ensemble is similar to an artist’s collection whose study enables the international relations of the Polish avant-garde in the interwar period to be retraced. The article analyses the strategy of the a.r. Group and examines the vision of the history of modern art that the artists sought to convey through their collection.https://journals.openedition.org/cel/315
spellingShingle Matylda Taszycka
Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź
Les Cahiers de l'École du Louvre
title Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź
title_full Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź
title_fullStr Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź
title_full_unstemmed Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź
title_short Le voyage au centre de l’Europe : l’avant-garde parisienne dans la collection internationale d’art moderne à Łódź
title_sort le voyage au centre de l europe l avant garde parisienne dans la collection internationale d art moderne a lodz
url https://journals.openedition.org/cel/315
work_keys_str_mv AT matyldataszycka levoyageaucentredeleuropelavantgardeparisiennedanslacollectioninternationaledartmoderneałodz