Du presque-rien au presque-tout : le dévoilement de l’invisible dans Trifles (1916) de Susan Glaspell
Produced in 1916 by the Provincetown Players, the play Trifles by Susan Glaspell, defined by scholars as “the mother of the Modern American theatre,” stages the unveiling of the invisible. A crime has been committed in the Wrights’ farm and the representatives of the law, accompanied by the wives, h...
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| Format: | Article |
| Language: | English |
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2015-06-01
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| Series: | E-REA |
| Subjects: | |
| Online Access: | https://journals.openedition.org/erea/4394 |
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