“A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays
A fierce opponent to war prompted by passion, Bernard Shaw saw the contemporary stage as the source of the Victorians’ misconception of the battlefield. In his plays, comedy and derision debunk the warped view of fighting that flows from ideals, the thirst for revenge and an incompetent ruling class...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2007-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/10553 |
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| _version_ | 1832581308037988352 |
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| author | Stéphane Guy |
| author_facet | Stéphane Guy |
| author_sort | Stéphane Guy |
| collection | DOAJ |
| description | A fierce opponent to war prompted by passion, Bernard Shaw saw the contemporary stage as the source of the Victorians’ misconception of the battlefield. In his plays, comedy and derision debunk the warped view of fighting that flows from ideals, the thirst for revenge and an incompetent ruling class. The onslaught goes hand in hand with the staging of an alternative form of heroism for the audience that defeats their aesthetic expectations through dramatic paradox. Shaw’s war plays unfold a dramaturgy of verisimilitude aiming to break down artifice and playing with the very principle of representation of conflict on the stage. |
| format | Article |
| id | doaj-art-6cc7104000ac47cd8049bcbdd3a01b37 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2007-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-6cc7104000ac47cd8049bcbdd3a01b372025-01-30T10:21:16ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492007-12-016610.4000/cve.10553“A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian PlaysStéphane GuyA fierce opponent to war prompted by passion, Bernard Shaw saw the contemporary stage as the source of the Victorians’ misconception of the battlefield. In his plays, comedy and derision debunk the warped view of fighting that flows from ideals, the thirst for revenge and an incompetent ruling class. The onslaught goes hand in hand with the staging of an alternative form of heroism for the audience that defeats their aesthetic expectations through dramatic paradox. Shaw’s war plays unfold a dramaturgy of verisimilitude aiming to break down artifice and playing with the very principle of representation of conflict on the stage.https://journals.openedition.org/cve/10553 |
| spellingShingle | Stéphane Guy “A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays Cahiers Victoriens et Edouardiens |
| title | “A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays |
| title_full | “A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays |
| title_fullStr | “A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays |
| title_full_unstemmed | “A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays |
| title_short | “A Hollow Sham”: The Representation of War in Bernard Shaw’s Victorian Plays |
| title_sort | a hollow sham the representation of war in bernard shaw s victorian plays |
| url | https://journals.openedition.org/cve/10553 |
| work_keys_str_mv | AT stephaneguy ahollowshamtherepresentationofwarinbernardshawsvictorianplays |