The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies
Victorians were obsessed with animals and used them pervasively in fiction and press as proxies for human races. This article attempts to analyse the animal display as a political commentary in the visual images of Punch or The London Charivari Magazine in the aftermath of the 1857 Mutiny and the gr...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2021-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | https://journals.openedition.org/cve/8989 |
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| author | Irina Kantarbaeva-Bill |
| author_facet | Irina Kantarbaeva-Bill |
| author_sort | Irina Kantarbaeva-Bill |
| collection | DOAJ |
| description | Victorians were obsessed with animals and used them pervasively in fiction and press as proxies for human races. This article attempts to analyse the animal display as a political commentary in the visual images of Punch or The London Charivari Magazine in the aftermath of the 1857 Mutiny and the growing geopolitical tensions worldwide. In exhibiting and displaying such animals as the lion, the tiger, the crocodile and the bear while dealing with colonial issues, the popular British cartoons acted as complex rhetorical structures that helped to powerfully influence mass opinion and consequently harnessed the public support for the Empire. Non-human animals were not just used for rhetorical purposes: beasts provided their very bodies to fund and fuel imperial projects, carried administrators and armies across and into remote spaces, and instilled fear and fascination in colonized and colonizers alike. While the scholarship recounting this relationship is not new, recent studies built on pioneering environmental and cultural histories (re)introduced many of the salient topics related to the showcasing of animals and imperialism such as conquest, disease, breeding, scientific categorization, animal welfare, vivisection, zoos, hunting, and conservation. |
| format | Article |
| id | doaj-art-6a4f0618ee22476a8a6e4229d36c38db |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2021-06-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-6a4f0618ee22476a8a6e4229d36c38db2025-01-30T10:21:09ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492021-06-019310.4000/cve.8989The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal StudiesIrina Kantarbaeva-BillVictorians were obsessed with animals and used them pervasively in fiction and press as proxies for human races. This article attempts to analyse the animal display as a political commentary in the visual images of Punch or The London Charivari Magazine in the aftermath of the 1857 Mutiny and the growing geopolitical tensions worldwide. In exhibiting and displaying such animals as the lion, the tiger, the crocodile and the bear while dealing with colonial issues, the popular British cartoons acted as complex rhetorical structures that helped to powerfully influence mass opinion and consequently harnessed the public support for the Empire. Non-human animals were not just used for rhetorical purposes: beasts provided their very bodies to fund and fuel imperial projects, carried administrators and armies across and into remote spaces, and instilled fear and fascination in colonized and colonizers alike. While the scholarship recounting this relationship is not new, recent studies built on pioneering environmental and cultural histories (re)introduced many of the salient topics related to the showcasing of animals and imperialism such as conquest, disease, breeding, scientific categorization, animal welfare, vivisection, zoos, hunting, and conservation.https://journals.openedition.org/cve/8989victorian animalsPunchpolitical caricaturenew imperialismhuman-animal relationshipenvironmental history |
| spellingShingle | Irina Kantarbaeva-Bill The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies Cahiers Victoriens et Edouardiens victorian animals Punch political caricature new imperialism human-animal relationship environmental history |
| title | The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies |
| title_full | The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies |
| title_fullStr | The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies |
| title_full_unstemmed | The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies |
| title_short | The Empire of Beasts Then and Now: Political Cartoons and New Trends in Victorian Animal Studies |
| title_sort | empire of beasts then and now political cartoons and new trends in victorian animal studies |
| topic | victorian animals Punch political caricature new imperialism human-animal relationship environmental history |
| url | https://journals.openedition.org/cve/8989 |
| work_keys_str_mv | AT irinakantarbaevabill theempireofbeaststhenandnowpoliticalcartoonsandnewtrendsinvictoriananimalstudies AT irinakantarbaevabill empireofbeaststhenandnowpoliticalcartoonsandnewtrendsinvictoriananimalstudies |