Sous le règne de la terreur. La répression franquiste dans la bande dessinée espagnole. Le cas de Pablo Uriel et de Miguel Núñez
Miguel Núñez. Mil vidas más (2010) by Miguel Núñez, Pepe Gálvez and Alfonso López and Un médico novato (2014) by Sento Are among the most remarkable comic strips on the Spanish Civil War and Francoism. As for adaptations of memories, those of Miguel Núñez on the one hand (La revolución y el deseo, 2...
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| Format: | Article |
| Language: | English |
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Centre de Recherches Ibériques et Ibéro-Américaines
2019-07-01
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| Series: | Cahiers de Civilisation Espagnole Contemporaine |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ccec/8128 |
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| Summary: | Miguel Núñez. Mil vidas más (2010) by Miguel Núñez, Pepe Gálvez and Alfonso López and Un médico novato (2014) by Sento Are among the most remarkable comic strips on the Spanish Civil War and Francoism. As for adaptations of memories, those of Miguel Núñez on the one hand (La revolución y el deseo, 2002) and Pablo Uriel on the other (No se fusila en domingo, 2005), these works will be studied from four different angles: history, autobiography, adaptation and aesthetics. Because these allo/auto/biographical cartoons are based on testimonies, because they are fictionalized pieces of history and because they contribute to the effort to recover the historical memory of the vanquished of the Spanish Civil War, It will be necessary first of all to recall the particular nature of the context of production of these texts in order to emphasize that in Spain the question of civil war remains a politically burning subject. Following this, the analysis will focus on the memoir that Uriel and Núñez left us on the question of Franco's repression. Finally, we will study through the analysis of some emblematic pages the adaptive strategies adopted to transform these memoirs into comics and to try to figure the terror. |
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| ISSN: | 1957-7761 |