Représenter volailles et volaillères dans la peinture italienne du Cinquecento

Painted works are not easy to decipher and scenes of poultry sale by North Italian artists Vincenzo Campi and Bartolomeo Passerotti are not snapshots of every day popular life of the Sixteenth Century, in Italy. Artistic image has a language of its own the Art historians attempt to decipher by analy...

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Main Author: Valérie Boudier
Format: Article
Language:English
Published: Laboratoire Éco-anthropologie et Ethnobiologie 2017-12-01
Series:Revue d'ethnoécologie
Subjects:
Online Access:https://journals.openedition.org/ethnoecologie/3294
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author Valérie Boudier
author_facet Valérie Boudier
author_sort Valérie Boudier
collection DOAJ
description Painted works are not easy to decipher and scenes of poultry sale by North Italian artists Vincenzo Campi and Bartolomeo Passerotti are not snapshots of every day popular life of the Sixteenth Century, in Italy. Artistic image has a language of its own the Art historians attempt to decipher by analyzing the objectives, conventions, styles, and techniques of each work. This plastic analysis must be crossed with the study of literary, artistic and culinary texts of those times, and this in order for the analysis to encompass a social and cultural background. It's this crossing in the analysis that allows us to suggest that the topic of the poultry and poultries's seller have place and pictorial treatment quite original in paintings. They seem to embody the modalities of the viewer's gaze in the pictorial organization of genre scenes by these two North Italian artists of the Sixteenth Century.
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institution Kabale University
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publisher Laboratoire Éco-anthropologie et Ethnobiologie
record_format Article
series Revue d'ethnoécologie
spelling doaj-art-69830c8b50a441fab2041e4aa49b399c2025-02-05T16:25:16ZengLaboratoire Éco-anthropologie et EthnobiologieRevue d'ethnoécologie2267-24192017-12-011210.4000/ethnoecologie.3294Représenter volailles et volaillères dans la peinture italienne du CinquecentoValérie BoudierPainted works are not easy to decipher and scenes of poultry sale by North Italian artists Vincenzo Campi and Bartolomeo Passerotti are not snapshots of every day popular life of the Sixteenth Century, in Italy. Artistic image has a language of its own the Art historians attempt to decipher by analyzing the objectives, conventions, styles, and techniques of each work. This plastic analysis must be crossed with the study of literary, artistic and culinary texts of those times, and this in order for the analysis to encompass a social and cultural background. It's this crossing in the analysis that allows us to suggest that the topic of the poultry and poultries's seller have place and pictorial treatment quite original in paintings. They seem to embody the modalities of the viewer's gaze in the pictorial organization of genre scenes by these two North Italian artists of the Sixteenth Century.https://journals.openedition.org/ethnoecologie/3294poultryCampiPasserottipicturepoultries's sellers
spellingShingle Valérie Boudier
Représenter volailles et volaillères dans la peinture italienne du Cinquecento
Revue d'ethnoécologie
poultry
Campi
Passerotti
picture
poultries's sellers
title Représenter volailles et volaillères dans la peinture italienne du Cinquecento
title_full Représenter volailles et volaillères dans la peinture italienne du Cinquecento
title_fullStr Représenter volailles et volaillères dans la peinture italienne du Cinquecento
title_full_unstemmed Représenter volailles et volaillères dans la peinture italienne du Cinquecento
title_short Représenter volailles et volaillères dans la peinture italienne du Cinquecento
title_sort representer volailles et volailleres dans la peinture italienne du cinquecento
topic poultry
Campi
Passerotti
picture
poultries's sellers
url https://journals.openedition.org/ethnoecologie/3294
work_keys_str_mv AT valerieboudier representervolaillesetvolailleresdanslapeintureitalienneducinquecento