Introduction : « La Duchesse d’Amalfi, des humeurs baroques à une passion moderne ? »
Webster’s tragedy, The Duchess of Malfi (1613), shows the weight of the fourteen-century-old Greek conception of compelling passions motivated by « humours », especially the black humour or melancholy. It stages a world still binding together human motivations and the material elements constituting...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2019-01-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/7923 |
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