“San Francisco on a thousand plates”: New perspectives on photo-historical research around 1900 through the lens of the California Camera Club
With a focus on the dispersed corpus of an American photographic society – the California Camera Club – this article proposes new methods to examine photographic objects produced around 1900. In a period commonly defined by Pictorialism and the New York Photo-Secession, the works of San Franciscan p...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
2019-06-01
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| Series: | Interfaces |
| Subjects: | |
| Online Access: | https://journals.openedition.org/interfaces/644 |
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