L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle

In the Aosta Valley, research on applied brocade, especially on late medieval polychrome sculptures, is still at an early stage. On the examples presented, which all date back to the second half of the XVth century and early XVIth century, we can see that a lot of attention went into the material re...

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Main Author: Alessandra Vallet
Format: Article
Language:English
Published: Association CeROArt 2021-03-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/6967
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author Alessandra Vallet
author_facet Alessandra Vallet
author_sort Alessandra Vallet
collection DOAJ
description In the Aosta Valley, research on applied brocade, especially on late medieval polychrome sculptures, is still at an early stage. On the examples presented, which all date back to the second half of the XVth century and early XVIth century, we can see that a lot of attention went into the material rendering of the cloths and that the pressbrokat appears on some of them. It is an imported technique, that seems to originate from the neighboring areas of Savoy or that spread along the commercial routes, connecting the westerner part of the Aosta Valley to the german-speaking cultural areas.
format Article
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institution Kabale University
issn 1784-5092
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-608e81a38a704153b6a6d6ae2c02db352025-01-30T14:14:17ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922021-03-0110.4000/ceroart.6967L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècleAlessandra ValletIn the Aosta Valley, research on applied brocade, especially on late medieval polychrome sculptures, is still at an early stage. On the examples presented, which all date back to the second half of the XVth century and early XVIth century, we can see that a lot of attention went into the material rendering of the cloths and that the pressbrokat appears on some of them. It is an imported technique, that seems to originate from the neighboring areas of Savoy or that spread along the commercial routes, connecting the westerner part of the Aosta Valley to the german-speaking cultural areas.https://journals.openedition.org/ceroart/6967sculptureAoste Valleyapplied brocade
spellingShingle Alessandra Vallet
L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
sculpture
Aoste Valley
applied brocade
title L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle
title_full L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle
title_fullStr L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle
title_full_unstemmed L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle
title_short L’imitation des tissus précieux sur quelques sculptures valdôtaines, entre XVe et XVIe siècle
title_sort l imitation des tissus precieux sur quelques sculptures valdotaines entre xve et xvie siecle
topic sculpture
Aoste Valley
applied brocade
url https://journals.openedition.org/ceroart/6967
work_keys_str_mv AT alessandravallet limitationdestissusprecieuxsurquelquessculpturesvaldotainesentrexveetxviesiecle