Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros

Τhis paper examines three Byzantine icons from the iconostasis of the church of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the sixteenth century and attributed to a Cretan workshop. However, certain elements of their iconography and style point to their attribution to a Constant...

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Main Author: Kefala Konstantia
Format: Article
Language:deu
Published: Faculty of Philosophy, Belgrade 2023-01-01
Series:Zograf
Subjects:
Online Access:https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347139K.pdf
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author Kefala Konstantia
author_facet Kefala Konstantia
author_sort Kefala Konstantia
collection DOAJ
description Τhis paper examines three Byzantine icons from the iconostasis of the church of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the sixteenth century and attributed to a Cretan workshop. However, certain elements of their iconography and style point to their attribution to a Constantinopolitan painter active in the first half of the fifteenth century. In this context the island of Leros, as part of the Hospitaller Island State (1309-1522), presents an interesting example of the osmosis between Palaiologan and Western art and of artistic developments in areas under Latin rule.
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institution Kabale University
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spelling doaj-art-5f9ff36c42724bc5aa6f2d0e4e7a21952025-01-30T06:36:53ZdeuFaculty of Philosophy, BelgradeZograf0350-13612406-07552023-01-0120234713915010.2298/ZOG2347139K0350-13612347139KPalaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller LerosKefala Konstantia0https://orcid.org/0000-0001-9387-6172Ephorate of Antiquities of the Dodecanese, Rhodes, GreeceΤhis paper examines three Byzantine icons from the iconostasis of the church of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the sixteenth century and attributed to a Cretan workshop. However, certain elements of their iconography and style point to their attribution to a Constantinopolitan painter active in the first half of the fifteenth century. In this context the island of Leros, as part of the Hospitaller Island State (1309-1522), presents an interesting example of the osmosis between Palaiologan and Western art and of artistic developments in areas under Latin rule.https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347139K.pdfpalaiologan rennaisanceicon paintingfifteenth centuryleros/dodecanesehospitaller knights
spellingShingle Kefala Konstantia
Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
Zograf
palaiologan rennaisance
icon painting
fifteenth century
leros/dodecanese
hospitaller knights
title Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
title_full Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
title_fullStr Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
title_full_unstemmed Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
title_short Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros
title_sort palaiologan renaissance painting in the latin occupied aegean three icons from hospitaller leros
topic palaiologan rennaisance
icon painting
fifteenth century
leros/dodecanese
hospitaller knights
url https://doiserbia.nb.rs/img/doi/0350-1361/2023/0350-13612347139K.pdf
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