La Madonna della Clemenza, l’incidence de la réintégration picturale sur le maintien des fonctions portées par l’œuvre restaurée
In the Basilica Santa Maria in Trastevere in Rome is kept the Madonna della Clemenza, an encaustic on canvas and wood, from the sixth or seventh century. This painting, still an object of worship and devotion, has emerged as a major work of the Christian Occident, both by its beautiful realization...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2010-11-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| Online Access: | https://journals.openedition.org/ceroart/1839 |
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