La politique de l’Art au musée national de Katmandou (Népal)
Since the 19th century, the National Museum of Kathmandu has been used by the Nepalese government to promote a coherent vision of the nation, its history and its art. In this place, art, which has become national, assumes a political character as the medium of a homogeneous and prestigious image of...
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Language: | fra |
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Laboratoire d'Ethnologie et de Sociologie Comparative
2016-10-01
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Series: | Ateliers d'Anthropologie |
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Online Access: | https://journals.openedition.org/ateliers/10253 |
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author | Élise Fong-Sintès |
author_facet | Élise Fong-Sintès |
author_sort | Élise Fong-Sintès |
collection | DOAJ |
description | Since the 19th century, the National Museum of Kathmandu has been used by the Nepalese government to promote a coherent vision of the nation, its history and its art. In this place, art, which has become national, assumes a political character as the medium of a homogeneous and prestigious image of Nepal. Nevertheless, the two art galleries in which it is exhibited offer paradoxical discourses on “Nepalese art”: one raises the art of the Kathmandu Valley to the rank of national art; the other, based on a Buddhist history of Nepal, broadens this category to works from all over the national territory. This article will show that this paradox is in fact characteristic of a particular trait in Nepal that consists in never completely erasing the past. Through this museum, structured as a conglomeration of different national discourses, the problematic history of defining a “Nepalese art” and constructing a museum representation of Nepal will be apprehended. |
format | Article |
id | doaj-art-5a02ce2f564d48ca9ceb00a16ca61bc7 |
institution | Kabale University |
issn | 2117-3869 |
language | fra |
publishDate | 2016-10-01 |
publisher | Laboratoire d'Ethnologie et de Sociologie Comparative |
record_format | Article |
series | Ateliers d'Anthropologie |
spelling | doaj-art-5a02ce2f564d48ca9ceb00a16ca61bc72025-01-30T13:42:24ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692016-10-014310.4000/ateliers.10253La politique de l’Art au musée national de Katmandou (Népal)Élise Fong-SintèsSince the 19th century, the National Museum of Kathmandu has been used by the Nepalese government to promote a coherent vision of the nation, its history and its art. In this place, art, which has become national, assumes a political character as the medium of a homogeneous and prestigious image of Nepal. Nevertheless, the two art galleries in which it is exhibited offer paradoxical discourses on “Nepalese art”: one raises the art of the Kathmandu Valley to the rank of national art; the other, based on a Buddhist history of Nepal, broadens this category to works from all over the national territory. This article will show that this paradox is in fact characteristic of a particular trait in Nepal that consists in never completely erasing the past. Through this museum, structured as a conglomeration of different national discourses, the problematic history of defining a “Nepalese art” and constructing a museum representation of Nepal will be apprehended.https://journals.openedition.org/ateliers/10253museumNepalartnationalism |
spellingShingle | Élise Fong-Sintès La politique de l’Art au musée national de Katmandou (Népal) Ateliers d'Anthropologie museum Nepal art nationalism |
title | La politique de l’Art au musée national de Katmandou (Népal) |
title_full | La politique de l’Art au musée national de Katmandou (Népal) |
title_fullStr | La politique de l’Art au musée national de Katmandou (Népal) |
title_full_unstemmed | La politique de l’Art au musée national de Katmandou (Népal) |
title_short | La politique de l’Art au musée national de Katmandou (Népal) |
title_sort | la politique de l art au musee national de katmandou nepal |
topic | museum Nepal art nationalism |
url | https://journals.openedition.org/ateliers/10253 |
work_keys_str_mv | AT elisefongsintes lapolitiquedelartaumuseenationaldekatmandounepal |