La politique de l’Art au musée national de Katmandou (Népal)

Since the 19th century, the National Museum of Kathmandu has been used by the Nepalese government to promote a coherent vision of the nation, its history and its art. In this place, art, which has become national, assumes a political character as the medium of a homogeneous and prestigious image of...

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Main Author: Élise Fong-Sintès
Format: Article
Language:fra
Published: Laboratoire d'Ethnologie et de Sociologie Comparative 2016-10-01
Series:Ateliers d'Anthropologie
Subjects:
Online Access:https://journals.openedition.org/ateliers/10253
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author Élise Fong-Sintès
author_facet Élise Fong-Sintès
author_sort Élise Fong-Sintès
collection DOAJ
description Since the 19th century, the National Museum of Kathmandu has been used by the Nepalese government to promote a coherent vision of the nation, its history and its art. In this place, art, which has become national, assumes a political character as the medium of a homogeneous and prestigious image of Nepal. Nevertheless, the two art galleries in which it is exhibited offer paradoxical discourses on “Nepalese art”: one raises the art of the Kathmandu Valley to the rank of national art; the other, based on a Buddhist history of Nepal, broadens this category to works from all over the national territory. This article will show that this paradox is in fact characteristic of a particular trait in Nepal that consists in never completely erasing the past. Through this museum, structured as a conglomeration of different national discourses, the problematic history of defining a “Nepalese art” and constructing a museum representation of Nepal will be apprehended.
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institution Kabale University
issn 2117-3869
language fra
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publisher Laboratoire d'Ethnologie et de Sociologie Comparative
record_format Article
series Ateliers d'Anthropologie
spelling doaj-art-5a02ce2f564d48ca9ceb00a16ca61bc72025-01-30T13:42:24ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692016-10-014310.4000/ateliers.10253La politique de l’Art au musée national de Katmandou (Népal)Élise Fong-SintèsSince the 19th century, the National Museum of Kathmandu has been used by the Nepalese government to promote a coherent vision of the nation, its history and its art. In this place, art, which has become national, assumes a political character as the medium of a homogeneous and prestigious image of Nepal. Nevertheless, the two art galleries in which it is exhibited offer paradoxical discourses on “Nepalese art”: one raises the art of the Kathmandu Valley to the rank of national art; the other, based on a Buddhist history of Nepal, broadens this category to works from all over the national territory. This article will show that this paradox is in fact characteristic of a particular trait in Nepal that consists in never completely erasing the past. Through this museum, structured as a conglomeration of different national discourses, the problematic history of defining a “Nepalese art” and constructing a museum representation of Nepal will be apprehended.https://journals.openedition.org/ateliers/10253museumNepalartnationalism
spellingShingle Élise Fong-Sintès
La politique de l’Art au musée national de Katmandou (Népal)
Ateliers d'Anthropologie
museum
Nepal
art
nationalism
title La politique de l’Art au musée national de Katmandou (Népal)
title_full La politique de l’Art au musée national de Katmandou (Népal)
title_fullStr La politique de l’Art au musée national de Katmandou (Népal)
title_full_unstemmed La politique de l’Art au musée national de Katmandou (Népal)
title_short La politique de l’Art au musée national de Katmandou (Népal)
title_sort la politique de l art au musee national de katmandou nepal
topic museum
Nepal
art
nationalism
url https://journals.openedition.org/ateliers/10253
work_keys_str_mv AT elisefongsintes lapolitiquedelartaumuseenationaldekatmandounepal