Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
This article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old Europ...
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Format: | Article |
Language: | English |
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Association Française d'Etudes Américaines
2012-01-01
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Series: | Transatlantica |
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Online Access: | https://journals.openedition.org/transatlantica/5241 |
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author | Delphine Louis-Dimitrov |
author_facet | Delphine Louis-Dimitrov |
author_sort | Delphine Louis-Dimitrov |
collection | DOAJ |
description | This article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old European nations, the monument is paradoxically omnipresent in the representations of the Western wilderness and appears as a structuring paradigm. The purpose of this reflexion is to analyse jointly the aesthetic and political implications of its transposition onto the American soil. Indeed, this motive on which the construction of the Western landscape is based also appears as the embodiment of American democracy while defining a writing principle. |
format | Article |
id | doaj-art-5631db58dbb2442787c0dd801654c1ba |
institution | Kabale University |
issn | 1765-2766 |
language | English |
publishDate | 2012-01-01 |
publisher | Association Française d'Etudes Américaines |
record_format | Article |
series | Transatlantica |
spelling | doaj-art-5631db58dbb2442787c0dd801654c1ba2025-01-30T10:44:53ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662012-01-01110.4000/transatlantica.5241Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt WhitmanDelphine Louis-DimitrovThis article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old European nations, the monument is paradoxically omnipresent in the representations of the Western wilderness and appears as a structuring paradigm. The purpose of this reflexion is to analyse jointly the aesthetic and political implications of its transposition onto the American soil. Indeed, this motive on which the construction of the Western landscape is based also appears as the embodiment of American democracy while defining a writing principle.https://journals.openedition.org/transatlantica/5241nationdemocracyMonumentsWestgeologypatrimony |
spellingShingle | Delphine Louis-Dimitrov Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman Transatlantica nation democracy Monuments West geology patrimony |
title | Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman |
title_full | Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman |
title_fullStr | Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman |
title_full_unstemmed | Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman |
title_short | Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman |
title_sort | le monument naturel dans le mythe de l ouest chez washington irving mark twain et walt whitman |
topic | nation democracy Monuments West geology patrimony |
url | https://journals.openedition.org/transatlantica/5241 |
work_keys_str_mv | AT delphinelouisdimitrov lemonumentnatureldanslemythedelouestchezwashingtonirvingmarktwainetwaltwhitman |