Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman

This article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old Europ...

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Main Author: Delphine Louis-Dimitrov
Format: Article
Language:English
Published: Association Française d'Etudes Américaines 2012-01-01
Series:Transatlantica
Subjects:
Online Access:https://journals.openedition.org/transatlantica/5241
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author Delphine Louis-Dimitrov
author_facet Delphine Louis-Dimitrov
author_sort Delphine Louis-Dimitrov
collection DOAJ
description This article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old European nations, the monument is paradoxically omnipresent in the representations of the Western wilderness and appears as a structuring paradigm. The purpose of this reflexion is to analyse jointly the aesthetic and political implications of its transposition onto the American soil. Indeed, this motive on which the construction of the Western landscape is based also appears as the embodiment of American democracy while defining a writing principle.
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issn 1765-2766
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spelling doaj-art-5631db58dbb2442787c0dd801654c1ba2025-01-30T10:44:53ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662012-01-01110.4000/transatlantica.5241Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt WhitmanDelphine Louis-DimitrovThis article deals with the image of the natural monument and considers its function in 19th-century representations of the West, especially in three travel narratives—A Tour on the Prairies by Washington Irving, Roughing It by Mark Twain and Specimen Days by Walt Whitman. An emblem of the old European nations, the monument is paradoxically omnipresent in the representations of the Western wilderness and appears as a structuring paradigm. The purpose of this reflexion is to analyse jointly the aesthetic and political implications of its transposition onto the American soil. Indeed, this motive on which the construction of the Western landscape is based also appears as the embodiment of American democracy while defining a writing principle.https://journals.openedition.org/transatlantica/5241nationdemocracyMonumentsWestgeologypatrimony
spellingShingle Delphine Louis-Dimitrov
Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
Transatlantica
nation
democracy
Monuments
West
geology
patrimony
title Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
title_full Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
title_fullStr Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
title_full_unstemmed Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
title_short Le monument naturel dans le mythe de l’Ouest chez Washington Irving, Mark Twain et Walt Whitman
title_sort le monument naturel dans le mythe de l ouest chez washington irving mark twain et walt whitman
topic nation
democracy
Monuments
West
geology
patrimony
url https://journals.openedition.org/transatlantica/5241
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