Maître ou esclave ? Jazz, ragtime et cake walk en Allemagne avant et après la Première Guerre mondiale

In 1919, jazz music comes to Germany. This is the beginning of fierce debates over this unheard-of music. Some fear a two-fold dehumanization, linked to the rise of Negro culture and to a kind of modernism gone wild. Others see it, however, as a radical rejuvenation of their own culture; and democra...

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Bibliographic Details
Main Author: Pascale Cohen-Avenel
Format: Article
Language:English
Published: TELEMME - UMR 6570 2013-06-01
Series:Amnis
Subjects:
Online Access:https://journals.openedition.org/amnis/1962
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