Slowness and Renewed Perception: Revisiting Douglas Gordon’s 24 Hour Psycho (1993) with Don DeLillo’s Point Omega (2010)
In 1993 Douglas Gordon appropriated Alfred Hitchcock’s famous film Psycho and slowed it down to approximately two frames a second (instead of the usual twenty-four). The resulting work, 24 Hour Psycho, is a silent, disorienting installation that draws our attention to time and memory while questioni...
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| Format: | Article |
| Language: | English |
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Centre de Recherche "Texte et Critique de Texte"
2020-12-01
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| Series: | Sillages Critiques |
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| Online Access: | https://journals.openedition.org/sillagescritiques/10858 |
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