“Medieval” and “Modern” Conceptions of the Colours of Light in Early Modern England and Isaac Oliver’s Portrait Miniatures

The usual distinction between ornamental and naturalistic styles is traditional when Nicholas Hilliard’s works and treatise The Art of Limning (c. 1600) are compared to Isaac Oliver’s, his pupil. However, the cultural context of the miniature court portrait in early modern England also shows two oth...

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Bibliographic Details
Main Author: Raphaëlle COSTA DE BEAUREGARD
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2015-06-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/4348
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