Radium, acier et cœurs vivants. Les marionnettes-automates de Monsieur de Pygmalion mis en scène par Charles Dullin (1923)
In the early 1920s, Charles Dullin and his troupe from his “dramatic testing laboratory”, the Atelier, were engaged in the quest for a theater that would surpass everyday reality. This research is part of the production of Monsieur de Pygmalion, Farce tragi-comique d’hommes et de marionnettes, by th...
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| Main Author: | |
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| Format: | Article |
| Language: | fra |
| Published: |
Université de Limoges
2021-12-01
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| Series: | ReS Futurae |
| Subjects: | |
| Online Access: | https://journals.openedition.org/resf/9940 |
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