« Culture for the million, or society as it may be »
When in the late nineteenth century Aestheticism slowly lost ground to the Arts and Crafts Movement and then to Decadence and Art Nouveau, the Victorian artistic field had considerably evolved. Freed from the moral task traditionally assigned to it, English art now claimed its autonomy — « All art i...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2010-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/3086 |
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| _version_ | 1832581298625970176 |
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| author | Françoise Baillet |
| author_facet | Françoise Baillet |
| author_sort | Françoise Baillet |
| collection | DOAJ |
| description | When in the late nineteenth century Aestheticism slowly lost ground to the Arts and Crafts Movement and then to Decadence and Art Nouveau, the Victorian artistic field had considerably evolved. Freed from the moral task traditionally assigned to it, English art now claimed its autonomy — « All art is quite useless » wrote Wilde in the Preface to The Picture of Dorian Gray in 1891 —, relying on a pictorial idiom which, in time, had become quite familiar to a large public. The purpose of this paper is to examine the role and function of the graphic arts in the Victorians’ familiarity with avant-garde theories. At a time when the demands of an enlarged readership triggered a remarkable development of periodical literature, the illustrated press was partly responsible for the circulation of the very ideals it meant to ridicule. From the vantage point offered by such publications as The Illustrated London News and, of course, Punch, cartoons became the missing link between highbrow and lowbrow culture, thus contributing to the long-lasting fascination exerted by Aestheticism on the rest of society. |
| format | Article |
| id | doaj-art-4ba4cb5e73db4b71a3e9210f904dd46b |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2010-06-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-4ba4cb5e73db4b71a3e9210f904dd46b2025-01-30T10:20:41ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-06-017135536610.4000/cve.3086« Culture for the million, or society as it may be »Françoise BailletWhen in the late nineteenth century Aestheticism slowly lost ground to the Arts and Crafts Movement and then to Decadence and Art Nouveau, the Victorian artistic field had considerably evolved. Freed from the moral task traditionally assigned to it, English art now claimed its autonomy — « All art is quite useless » wrote Wilde in the Preface to The Picture of Dorian Gray in 1891 —, relying on a pictorial idiom which, in time, had become quite familiar to a large public. The purpose of this paper is to examine the role and function of the graphic arts in the Victorians’ familiarity with avant-garde theories. At a time when the demands of an enlarged readership triggered a remarkable development of periodical literature, the illustrated press was partly responsible for the circulation of the very ideals it meant to ridicule. From the vantage point offered by such publications as The Illustrated London News and, of course, Punch, cartoons became the missing link between highbrow and lowbrow culture, thus contributing to the long-lasting fascination exerted by Aestheticism on the rest of society.https://journals.openedition.org/cve/3086 |
| spellingShingle | Françoise Baillet « Culture for the million, or society as it may be » Cahiers Victoriens et Edouardiens |
| title | « Culture for the million, or society as it may be » |
| title_full | « Culture for the million, or society as it may be » |
| title_fullStr | « Culture for the million, or society as it may be » |
| title_full_unstemmed | « Culture for the million, or society as it may be » |
| title_short | « Culture for the million, or society as it may be » |
| title_sort | culture for the million or society as it may be |
| url | https://journals.openedition.org/cve/3086 |
| work_keys_str_mv | AT francoisebaillet cultureforthemillionorsocietyasitmaybe |