On the phenomenon of sacred violence in Sergei Eisenstein’s secular art: the images of Heaven and Hell in the revolutionary trilogy
The article examines the quasi-religious mode of creativity of the Soviet avant-garde film director Sergei Eisenstein (1898-1948) in the context of secular modern culture. Since the time of the French Revolution, the theme of violence, which has penetrated into European public discourse, has firmly...
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| Format: | Article |
| Language: | Russian |
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St. Tikhon's Orthodox University
2024-12-01
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| Series: | Вестник Православного Свято-Тихоновского гуманитарного университета: Серия I. Богословие, философия |
| Subjects: | |
| Online Access: | https://periodical.pstgu.ru/ru/pdf/article/8548 |
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