La médiation de Madame Bovary en Suède
The present study provides a summary of earlier studies on Flaubert's transfer to Sweden and incorporates in addition data from the last decade. In doing so, the study focuses on two aspects: the introduction and current status of Madame Bovary and Flaubert in Sweden. The initial translation of...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2020-12-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | https://journals.openedition.org/flaubert/4115 |
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| _version_ | 1832095775268536320 |
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| author | Hans Färnlöf |
| author_facet | Hans Färnlöf |
| author_sort | Hans Färnlöf |
| collection | DOAJ |
| description | The present study provides a summary of earlier studies on Flaubert's transfer to Sweden and incorporates in addition data from the last decade. In doing so, the study focuses on two aspects: the introduction and current status of Madame Bovary and Flaubert in Sweden. The initial translation of the novel (1883) is compared with the most recent translation (2012) in the light of the respective literary fields. The reception of Madame Bovary is slow, as Flaubert is initially presented as “the author of Salammbô”. Following the introduction of Zola's naturalism in Sweden in the late 1870s, Flaubert is considered to be the central author of realistic literature in the mid-1880s. Madame Bovary is since then his main work up to the present days, which show a growing dominance of digital formats. Recently adapted on stage, the novel seems mediated today mostly through an ideological consumption filter, rather than being approached in its historical and literary context. |
| format | Article |
| id | doaj-art-42fe9b8712274cdcad9ef07c10847300 |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2020-12-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-42fe9b8712274cdcad9ef07c108473002025-02-05T16:29:46ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912020-12-012410.4000/flaubert.4115La médiation de Madame Bovary en SuèdeHans FärnlöfThe present study provides a summary of earlier studies on Flaubert's transfer to Sweden and incorporates in addition data from the last decade. In doing so, the study focuses on two aspects: the introduction and current status of Madame Bovary and Flaubert in Sweden. The initial translation of the novel (1883) is compared with the most recent translation (2012) in the light of the respective literary fields. The reception of Madame Bovary is slow, as Flaubert is initially presented as “the author of Salammbô”. Following the introduction of Zola's naturalism in Sweden in the late 1870s, Flaubert is considered to be the central author of realistic literature in the mid-1880s. Madame Bovary is since then his main work up to the present days, which show a growing dominance of digital formats. Recently adapted on stage, the novel seems mediated today mostly through an ideological consumption filter, rather than being approached in its historical and literary context.https://journals.openedition.org/flaubert/4115 |
| spellingShingle | Hans Färnlöf La médiation de Madame Bovary en Suède Flaubert: Revue Critique et Génétique |
| title | La médiation de Madame Bovary en Suède |
| title_full | La médiation de Madame Bovary en Suède |
| title_fullStr | La médiation de Madame Bovary en Suède |
| title_full_unstemmed | La médiation de Madame Bovary en Suède |
| title_short | La médiation de Madame Bovary en Suède |
| title_sort | la mediation de madame bovary en suede |
| url | https://journals.openedition.org/flaubert/4115 |
| work_keys_str_mv | AT hansfarnlof lamediationdemadamebovaryensuede |