Purging the Past and Gauging the Future: Stage Puritans as Manifestations of Religious Trauma in Restoration Comedies Adapted from European Sources (1660-1689)
This paper focuses on five Restoration comedies with religious concerns composed between Charles II’s return to England and the Glorious Revolution, and adapted from French, Spanish and English (Elizabethan and Jacobean) sources: The Law Against Lovers (1663) by William Davenant, Tartuffe or the Fre...
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| Format: | Article |
| Language: | English |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2024-12-01
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| Series: | XVII-XVIII |
| Subjects: | |
| Online Access: | https://journals.openedition.org/1718/13637 |
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