Fluidités victoriennes
The earth/water polarity seems to be one of the most important in the Victorian imagination for it asserts a gendered duality of the two elements.In 19th century British art, the fluid element is predominantly associated with women as is attested by popular subjects such as bathers, mermaids, naiads...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2010-06-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/2856 |
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| _version_ | 1832581226039345152 |
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| author | Béatrice Laurent |
| author_facet | Béatrice Laurent |
| author_sort | Béatrice Laurent |
| collection | DOAJ |
| description | The earth/water polarity seems to be one of the most important in the Victorian imagination for it asserts a gendered duality of the two elements.In 19th century British art, the fluid element is predominantly associated with women as is attested by popular subjects such as bathers, mermaids, naiads and drowned ladies. The culturally-constructed concept of a « natural » femininity defined by its fluidity and absorbency makes women the source at the same time as the container of vital fluids and serves the dominant discourse on gender as it conversely establishes masculine substantiality and impermeableness.This paper aims at examining a corpus of paintings illustrating the feminisation of water, and at suggesting interpretations in the light of contemporary, and sometimes fluctuating, scientific, medical or political discourses. |
| format | Article |
| id | doaj-art-40cbeae8a82b4793ab86d552efcbf8c3 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2010-06-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-40cbeae8a82b4793ab86d552efcbf8c32025-01-30T10:21:45ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492010-06-017121122810.4000/cve.2856Fluidités victoriennesBéatrice LaurentThe earth/water polarity seems to be one of the most important in the Victorian imagination for it asserts a gendered duality of the two elements.In 19th century British art, the fluid element is predominantly associated with women as is attested by popular subjects such as bathers, mermaids, naiads and drowned ladies. The culturally-constructed concept of a « natural » femininity defined by its fluidity and absorbency makes women the source at the same time as the container of vital fluids and serves the dominant discourse on gender as it conversely establishes masculine substantiality and impermeableness.This paper aims at examining a corpus of paintings illustrating the feminisation of water, and at suggesting interpretations in the light of contemporary, and sometimes fluctuating, scientific, medical or political discourses.https://journals.openedition.org/cve/2856 |
| spellingShingle | Béatrice Laurent Fluidités victoriennes Cahiers Victoriens et Edouardiens |
| title | Fluidités victoriennes |
| title_full | Fluidités victoriennes |
| title_fullStr | Fluidités victoriennes |
| title_full_unstemmed | Fluidités victoriennes |
| title_short | Fluidités victoriennes |
| title_sort | fluidites victoriennes |
| url | https://journals.openedition.org/cve/2856 |
| work_keys_str_mv | AT beatricelaurent fluiditesvictoriennes |