Interpretation of Cyclic Form in Bach’s “Goldberg Variations” through Performance History
Based on quantitative and qualitative analyses of seventy-six selected recordings spanning the years 1928 to 2020, this article examines the extent to which performers interpret the “Goldberg Variations” as a cycle. To that end, possible tempo relations between the pieces have been analyzed through...
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| Format: | Article |
| Language: | deu |
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Gesellschaft für Musiktheorie (GMTH)
2021-11-01
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| Series: | Zeitschrift der Gesellschaft für Musiktheorie |
| Subjects: | |
| Online Access: | https://storage.gmth.de/zgmth/pdf/1119 |
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