James MacMillan dans son opéra The Sacrifice (2007) : un « compositeur de quelque part » ou un « compositeur de partout » ?
This article aims to analyse how The Sacrifice (2007) by James MacMillan fits into several literary and musical geographical spheres. The British anchoring lies in the choice of the hypotext of the libretto, but also through certain themes or musical and literary references which echo those of other...
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| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires du Midi
2024-08-01
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| Series: | Caliban: French Journal of English Studies |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caliban/12231 |
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