James MacMillan dans son opéra The Sacrifice (2007) : un « compositeur de quelque part » ou un « compositeur de partout » ?

This article aims to analyse how The Sacrifice (2007) by James MacMillan fits into several literary and musical geographical spheres. The British anchoring lies in the choice of the hypotext of the libretto, but also through certain themes or musical and literary references which echo those of other...

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Bibliographic Details
Main Author: Jean-Philippe Héberlé
Format: Article
Language:English
Published: Presses Universitaires du Midi 2024-08-01
Series:Caliban: French Journal of English Studies
Subjects:
Online Access:https://journals.openedition.org/caliban/12231
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