Flaubert, Beckett, Toussaint : d’un phrasé l’autre

If Flaubert, Beckett and Toussaint are members of what Sainte-Beuve called “a spiritual family”, it is because they share the same sense of irony and humour which is reflected in the way they each treat syntax, style or punctuation. Thus, if on the one hand Flaubert’s presence appears through Becket...

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Main Author: Karine Germoni
Format: Article
Language:fra
Published: Institut des Textes & Manuscrits Modernes (ITEM) 2012-11-01
Series:Flaubert: Revue Critique et Génétique
Online Access:https://journals.openedition.org/flaubert/1872
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author Karine Germoni
author_facet Karine Germoni
author_sort Karine Germoni
collection DOAJ
description If Flaubert, Beckett and Toussaint are members of what Sainte-Beuve called “a spiritual family”, it is because they share the same sense of irony and humour which is reflected in the way they each treat syntax, style or punctuation. Thus, if on the one hand Flaubert’s presence appears through Beckett’s works, on the other, in Toussaint’s works there is the simultaneous obvious presence both of Beckett and Flaubert. But whereas Beckett voluntarily imitates Flaubert, to honour him, it is involuntarily at first that Toussaint, in his first works, does pastiches of Beckett and Flaubert, before attaining his own writing, an experienced writer’s style where there will remain, as we will see, remnants of flaubertian and beckettian phrases.
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institution Kabale University
issn 1969-6191
language fra
publishDate 2012-11-01
publisher Institut des Textes & Manuscrits Modernes (ITEM)
record_format Article
series Flaubert: Revue Critique et Génétique
spelling doaj-art-2cecc0a49ebf4d86a01fd1a9a539f2052025-02-05T16:29:37ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912012-11-01810.4000/flaubert.1872Flaubert, Beckett, Toussaint : d’un phrasé l’autreKarine GermoniIf Flaubert, Beckett and Toussaint are members of what Sainte-Beuve called “a spiritual family”, it is because they share the same sense of irony and humour which is reflected in the way they each treat syntax, style or punctuation. Thus, if on the one hand Flaubert’s presence appears through Beckett’s works, on the other, in Toussaint’s works there is the simultaneous obvious presence both of Beckett and Flaubert. But whereas Beckett voluntarily imitates Flaubert, to honour him, it is involuntarily at first that Toussaint, in his first works, does pastiches of Beckett and Flaubert, before attaining his own writing, an experienced writer’s style where there will remain, as we will see, remnants of flaubertian and beckettian phrases.https://journals.openedition.org/flaubert/1872
spellingShingle Karine Germoni
Flaubert, Beckett, Toussaint : d’un phrasé l’autre
Flaubert: Revue Critique et Génétique
title Flaubert, Beckett, Toussaint : d’un phrasé l’autre
title_full Flaubert, Beckett, Toussaint : d’un phrasé l’autre
title_fullStr Flaubert, Beckett, Toussaint : d’un phrasé l’autre
title_full_unstemmed Flaubert, Beckett, Toussaint : d’un phrasé l’autre
title_short Flaubert, Beckett, Toussaint : d’un phrasé l’autre
title_sort flaubert beckett toussaint d un phrase l autre
url https://journals.openedition.org/flaubert/1872
work_keys_str_mv AT karinegermoni flaubertbecketttoussaintdunphraselautre