The “found story” in Derviş Zaim’s cinema: Documentary reality through the possibilities of digital cinema

Derviş Zaim’s cinema is a cinema of exploration. Zaim blends found story with fiction, constructing a framework in which content and form reinforce each other. His films Somersault in a Coffin (1996) and Cycle (2013), based on real events and characters, are rooted in found...

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Bibliographic Details
Main Author: Aslı Güngör
Format: Article
Language:English
Published: Mardin Artuklu University 2024-12-01
Series:ARTS: Artuklu Sanat ve Beşeri Bilimler Dergisi
Online Access:https://dergipark.org.tr/tr/doi/10.46372/arts.1549285
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