De l’illusion à la culture ou le regard de Winnicott sur la créativité

In this article, we want to examine the process through which the infant, searching for the object, goes from illusion to culture. Indeed, at the beginning of life, the primary illusion permits to maintain fusional unity of the nursing-couple, which enables the development of primary creativity. Lat...

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Main Author: Sylvie Zérillo
Format: Article
Language:fra
Published: Presses universitaires de la Méditerranée 2012-12-01
Series:Éducation et Socialisation
Subjects:
Online Access:https://journals.openedition.org/edso/324
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author Sylvie Zérillo
author_facet Sylvie Zérillo
author_sort Sylvie Zérillo
collection DOAJ
description In this article, we want to examine the process through which the infant, searching for the object, goes from illusion to culture. Indeed, at the beginning of life, the primary illusion permits to maintain fusional unity of the nursing-couple, which enables the development of primary creativity. Later, the transitional area, transitional space, where creativity expresses itself through playing, provides the continuity of the relationship—which starts to loosen- between the infant and the mother. Lastly, as a grown-up, the transitional phenomena spread out, leaving space to a cultural area, in which the individual’s creativity expresses itself through the different elements of the cultural field (arts, religion, imaginary life, scientific and creative work . . .). This cultural area allows the subject to create his own relation to reality.
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institution Kabale University
issn 2271-6092
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publisher Presses universitaires de la Méditerranée
record_format Article
series Éducation et Socialisation
spelling doaj-art-27ebb595711e42ef8d042b86e92d9ad42025-01-30T13:38:35ZfraPresses universitaires de la MéditerranéeÉducation et Socialisation2271-60922012-12-013210.4000/edso.324De l’illusion à la culture ou le regard de Winnicott sur la créativitéSylvie ZérilloIn this article, we want to examine the process through which the infant, searching for the object, goes from illusion to culture. Indeed, at the beginning of life, the primary illusion permits to maintain fusional unity of the nursing-couple, which enables the development of primary creativity. Later, the transitional area, transitional space, where creativity expresses itself through playing, provides the continuity of the relationship—which starts to loosen- between the infant and the mother. Lastly, as a grown-up, the transitional phenomena spread out, leaving space to a cultural area, in which the individual’s creativity expresses itself through the different elements of the cultural field (arts, religion, imaginary life, scientific and creative work . . .). This cultural area allows the subject to create his own relation to reality.https://journals.openedition.org/edso/324creativityillusionculturetransitional areacultural area
spellingShingle Sylvie Zérillo
De l’illusion à la culture ou le regard de Winnicott sur la créativité
Éducation et Socialisation
creativity
illusion
culture
transitional area
cultural area
title De l’illusion à la culture ou le regard de Winnicott sur la créativité
title_full De l’illusion à la culture ou le regard de Winnicott sur la créativité
title_fullStr De l’illusion à la culture ou le regard de Winnicott sur la créativité
title_full_unstemmed De l’illusion à la culture ou le regard de Winnicott sur la créativité
title_short De l’illusion à la culture ou le regard de Winnicott sur la créativité
title_sort de l illusion a la culture ou le regard de winnicott sur la creativite
topic creativity
illusion
culture
transitional area
cultural area
url https://journals.openedition.org/edso/324
work_keys_str_mv AT sylviezerillo delillusionalacultureouleregarddewinnicottsurlacreativite