“The Orchestra, in its Sounds, Defies Virtue…”: The Role of the Erotic in the Works of Massenet.
Massenet’s opera Esclarmonde, premiered in Paris during the 1889 Exposition Universelle, offers a particularly powerful case study for the ways in which a libretto articulating socially conservative structures meshes with, and enables, musically progressive expressivity. This essay analyses the oper...
Saved in:
| Main Author: | Annegret Fauser |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Éditions de l'EHESS
2021-03-01
|
| Series: | Transposition |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transposition/6494 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
« L’orchestre dans les sons brave l’honnêteté... » : Le rôle de l’élément érotique dans l’œuvre de Massenet.
by: Annegret Fauser
Published: (2021-03-01) -
Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto
by: Eduardo Valls Oyarzun
Published: (2017-11-01) -
Erotic Vitality and BDSM Practices: Sexual Experiences of Self-Identified Submissive Cisgender Heterosexual Portuguese Men
by: Luís Santos, et al.
Published: (2025-06-01) -
Tres poetas franco-uruguayos (Ducasse, Laforgue, Supervielle): Los caminos secretos de la literatura*
by: Galo Galarza
Published: (2025-01-01) -
Kevin Even. La Question environnementale chez Jules Verne
by: Simon Bréan
Published: (2024-12-01)