“The Orchestra, in its Sounds, Defies Virtue…”: The Role of the Erotic in the Works of Massenet.
Massenet’s opera Esclarmonde, premiered in Paris during the 1889 Exposition Universelle, offers a particularly powerful case study for the ways in which a libretto articulating socially conservative structures meshes with, and enables, musically progressive expressivity. This essay analyses the oper...
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| Format: | Article |
| Language: | English |
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Éditions de l'EHESS
2021-03-01
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| Series: | Transposition |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transposition/6494 |
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