“Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro
For many years, Cesare Brandi’s Teoria del restauro has been one of the most influential works on heritage conservation theory in Southern Europe and in Latin America. However, it has shortcomings that are immediately apparent to the reader: firstly, it is extremely obscure; and secondly, it makes c...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2016-02-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | https://journals.openedition.org/ceroart/4653 |
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| author | Salvador Muñoz Viñas |
| author_facet | Salvador Muñoz Viñas |
| author_sort | Salvador Muñoz Viñas |
| collection | DOAJ |
| description | For many years, Cesare Brandi’s Teoria del restauro has been one of the most influential works on heritage conservation theory in Southern Europe and in Latin America. However, it has shortcomings that are immediately apparent to the reader: firstly, it is extremely obscure; and secondly, it makes contradictory assertions. This makes the near-cult status that it has achieved all the more fascinating. One explanation for this status might be because the work is seen as a “fetish” or an “almost-biblical” text, and as such, its ability to inspire has become more important than its intellectual soundness. |
| format | Article |
| id | doaj-art-1e84d0263b744139b1ed4bea50a696a2 |
| institution | Kabale University |
| issn | 1784-5092 |
| language | English |
| publishDate | 2016-02-01 |
| publisher | Association CeROArt |
| record_format | Article |
| series | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| spelling | doaj-art-1e84d0263b744139b1ed4bea50a696a22025-01-30T14:14:16ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922016-02-0110.4000/ceroart.4653“Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauroSalvador Muñoz ViñasFor many years, Cesare Brandi’s Teoria del restauro has been one of the most influential works on heritage conservation theory in Southern Europe and in Latin America. However, it has shortcomings that are immediately apparent to the reader: firstly, it is extremely obscure; and secondly, it makes contradictory assertions. This makes the near-cult status that it has achieved all the more fascinating. One explanation for this status might be because the work is seen as a “fetish” or an “almost-biblical” text, and as such, its ability to inspire has become more important than its intellectual soundness.https://journals.openedition.org/ceroart/4653restorationconservationtheoryCesare BrandiBrandiTeoria |
| spellingShingle | Salvador Muñoz Viñas “Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro CeROArt : Conservation, Exposition, Restauration d'Objets d'Art restoration conservation theory Cesare Brandi Brandi Teoria |
| title | “Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro |
| title_full | “Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro |
| title_fullStr | “Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro |
| title_full_unstemmed | “Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro |
| title_short | “Who is Afraid of Cesare Brandi?” Personal reflections on the Teoria del restauro |
| title_sort | who is afraid of cesare brandi personal reflections on the teoria del restauro |
| topic | restoration conservation theory Cesare Brandi Brandi Teoria |
| url | https://journals.openedition.org/ceroart/4653 |
| work_keys_str_mv | AT salvadormunozvinas whoisafraidofcesarebrandipersonalreflectionsontheteoriadelrestauro |