Sublime borders: modernism, music and the negative
“After the fall of formal beauty, the sublime was the only aesthetic idea left to modernism” (Adorno 1997: 197). Positioning at its core the category of the sublime, the modernist aesthetic famously engenders a problematic relationship between music – characterised as an autonomous, self‑relating a...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Pernambuco (UFPE)
2017-08-01
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| Series: | Perspectiva Filosófica |
| Subjects: | |
| Online Access: | https://periodicos.ufpe.br/revistas/index.php/perspectivafilosofica/article/view/230357 |
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