Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris

The documentary background on Chinese cloisonné enamels is incomplete, therefore its conservation enables the better understanding of their origin, technical nature and history. The last year of conservation studies at the Institut national du patrimoine was focused on the study of an 18th-century C...

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Main Author: Aude Lafitte
Format: Article
Language:English
Published: Association CeROArt 2018-05-01
Series:CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
Subjects:
Online Access:https://journals.openedition.org/ceroart/5373
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author Aude Lafitte
author_facet Aude Lafitte
author_sort Aude Lafitte
collection DOAJ
description The documentary background on Chinese cloisonné enamels is incomplete, therefore its conservation enables the better understanding of their origin, technical nature and history. The last year of conservation studies at the Institut national du patrimoine was focused on the study of an 18th-century Chinese cloisonné enamel from the Arts décoratifs Museum (Paris). A research was carried out on the use of paper rubbers for the cleaning of copper cloisons gilded with mercury amalgam. Cleaning operations were completed by the use of peelable gel on large gilded areas, the dismantling and cleaning, as well as the conservation of the enamel.
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institution Kabale University
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series CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
spelling doaj-art-1be906bffa4e4be08dfafb150ff76cfd2025-01-30T14:12:57ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922018-05-01610.4000/ceroart.5373Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de ParisAude LafitteThe documentary background on Chinese cloisonné enamels is incomplete, therefore its conservation enables the better understanding of their origin, technical nature and history. The last year of conservation studies at the Institut national du patrimoine was focused on the study of an 18th-century Chinese cloisonné enamel from the Arts décoratifs Museum (Paris). A research was carried out on the use of paper rubbers for the cleaning of copper cloisons gilded with mercury amalgam. Cleaning operations were completed by the use of peelable gel on large gilded areas, the dismantling and cleaning, as well as the conservation of the enamel.https://journals.openedition.org/ceroart/5373rubberChinalacquercloisonné enamelpeelable gel
spellingShingle Aude Lafitte
Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
rubber
China
lacquer
cloisonné enamel
peelable gel
title Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris
title_full Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris
title_fullStr Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris
title_full_unstemmed Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris
title_short Etude et conservation-restauration d’un Qilin en émail cloisonné chinois provenant du musée des Arts décoratifs de Paris
title_sort etude et conservation restauration d un qilin en email cloisonne chinois provenant du musee des arts decoratifs de paris
topic rubber
China
lacquer
cloisonné enamel
peelable gel
url https://journals.openedition.org/ceroart/5373
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