Rémanence de Madame Bovary dans l’édition illustrée
This article focuses on the illustrated editions of Madame Bovary. After Flaubert’s death these editions were popular and multiplied until the end of the 1850’s. They represent a testimony of the novel’s reception by illustrators. After diachronic considerations about the increasing importance of th...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2014-12-01
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| Series: | Flaubert: Revue Critique et Génétique |
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| Online Access: | https://journals.openedition.org/flaubert/2356 |
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| author | Bruno Gallice |
| author_facet | Bruno Gallice |
| author_sort | Bruno Gallice |
| collection | DOAJ |
| description | This article focuses on the illustrated editions of Madame Bovary. After Flaubert’s death these editions were popular and multiplied until the end of the 1850’s. They represent a testimony of the novel’s reception by illustrators. After diachronic considerations about the increasing importance of the novel’s illustration, we study the way images treated the characters, between graphic fixation and emancipation. Artists claimed for themselves Emma Bovary in particular, and constantly updated their vision of Flaubert’s character, who became for the reader a figure both permeable and vivid. |
| format | Article |
| id | doaj-art-1ae5c427ca1f40059e08231728598e81 |
| institution | Kabale University |
| issn | 1969-6191 |
| language | fra |
| publishDate | 2014-12-01 |
| publisher | Institut des Textes & Manuscrits Modernes (ITEM) |
| record_format | Article |
| series | Flaubert: Revue Critique et Génétique |
| spelling | doaj-art-1ae5c427ca1f40059e08231728598e812025-02-05T16:30:02ZfraInstitut des Textes & Manuscrits Modernes (ITEM)Flaubert: Revue Critique et Génétique1969-61912014-12-011210.4000/flaubert.2356Rémanence de Madame Bovary dans l’édition illustréeBruno GalliceThis article focuses on the illustrated editions of Madame Bovary. After Flaubert’s death these editions were popular and multiplied until the end of the 1850’s. They represent a testimony of the novel’s reception by illustrators. After diachronic considerations about the increasing importance of the novel’s illustration, we study the way images treated the characters, between graphic fixation and emancipation. Artists claimed for themselves Emma Bovary in particular, and constantly updated their vision of Flaubert’s character, who became for the reader a figure both permeable and vivid.https://journals.openedition.org/flaubert/2356Madame Bovaryéditionimagesillustrations |
| spellingShingle | Bruno Gallice Rémanence de Madame Bovary dans l’édition illustrée Flaubert: Revue Critique et Génétique Madame Bovary édition images illustrations |
| title | Rémanence de Madame Bovary dans l’édition illustrée |
| title_full | Rémanence de Madame Bovary dans l’édition illustrée |
| title_fullStr | Rémanence de Madame Bovary dans l’édition illustrée |
| title_full_unstemmed | Rémanence de Madame Bovary dans l’édition illustrée |
| title_short | Rémanence de Madame Bovary dans l’édition illustrée |
| title_sort | remanence de madame bovary dans l edition illustree |
| topic | Madame Bovary édition images illustrations |
| url | https://journals.openedition.org/flaubert/2356 |
| work_keys_str_mv | AT brunogallice remanencedemadamebovarydansleditionillustree |