Aelita (Iakov Protazanov, 1924) : la science-fiction à l’écran en question
The film bears the label of science-fiction in film guides but a close reading shows the genre is criticized by the film and the film script only partly allows science-fiction scenes and settings. The article examines the different narrative structures of Protazanov’s work, before studying the rival...
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| Format: | Article |
| Language: | fra |
| Published: |
Université de Limoges
2020-12-01
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| Series: | ReS Futurae |
| Subjects: | |
| Online Access: | https://journals.openedition.org/resf/8471 |
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