Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale

This article aims at exploring the paradoxical uses of transparency in Diana of the Crossways. In spite of claiming a diaphanous mode of existence, Diana displays evident signs of elusiveness, while the narrative, though seemingly transparent, proves opaque and misleading. Why? What are the hermeneu...

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Main Author: Marina Poisson
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2013-03-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/276
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author Marina Poisson
author_facet Marina Poisson
author_sort Marina Poisson
collection DOAJ
description This article aims at exploring the paradoxical uses of transparency in Diana of the Crossways. In spite of claiming a diaphanous mode of existence, Diana displays evident signs of elusiveness, while the narrative, though seemingly transparent, proves opaque and misleading. Why? What are the hermeneutical, ethical and aesthetical implications of transparency? In a first movement, the article studies the moral quest for transparency as a natural virtue contrasting with the social vices of hypocrisy and opaqueness. The roles of nakedness and desire, reading and deciphering, are approached in this perspective. Transparency is then analysed as inherently paradoxical, both in stylistic and diegetic terms, as it proves artistic and artificial. In a last part, the violence of transparency is exposed through the social panopticon, which disrupts the initial dream of transparency while inviting us to challenge the Victorian categories of perception.
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publisher Presses Universitaires de la Méditerranée
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series Cahiers Victoriens et Edouardiens
spelling doaj-art-15dc0b30c565470184d9382ac3f1c46c2025-01-30T10:22:31ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492013-03-017710.4000/cve.276Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxaleMarina PoissonThis article aims at exploring the paradoxical uses of transparency in Diana of the Crossways. In spite of claiming a diaphanous mode of existence, Diana displays evident signs of elusiveness, while the narrative, though seemingly transparent, proves opaque and misleading. Why? What are the hermeneutical, ethical and aesthetical implications of transparency? In a first movement, the article studies the moral quest for transparency as a natural virtue contrasting with the social vices of hypocrisy and opaqueness. The roles of nakedness and desire, reading and deciphering, are approached in this perspective. Transparency is then analysed as inherently paradoxical, both in stylistic and diegetic terms, as it proves artistic and artificial. In a last part, the violence of transparency is exposed through the social panopticon, which disrupts the initial dream of transparency while inviting us to challenge the Victorian categories of perception.https://journals.openedition.org/cve/276visiontransparencyDiana of the CrosswaysVictorian novelgenderwriting
spellingShingle Marina Poisson
Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale
Cahiers Victoriens et Edouardiens
vision
transparency
Diana of the Crossways
Victorian novel
gender
writing
title Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale
title_full Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale
title_fullStr Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale
title_full_unstemmed Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale
title_short Comment (sa)voir ? Diana of the Crossways de George Meredith : la transparence paradoxale
title_sort comment sa voir diana of the crossways de george meredith la transparence paradoxale
topic vision
transparency
Diana of the Crossways
Victorian novel
gender
writing
url https://journals.openedition.org/cve/276
work_keys_str_mv AT marinapoisson commentsavoirdianaofthecrosswaysdegeorgemeredithlatransparenceparadoxale