Olivers Twisted: Urban Milieu from Text to Media
This paper focuses on two transpositions of Oliver Twist: Oliver!, by Carol Reed, and the Walt Disney cartoon Oliver & Company, both of which are musicals. Both films underscore a crucial interest in the urban milieu and enthusiastically explore it, stressing an optimistic culmination in happy e...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Presses Universitaires de la Méditerranée
2012-01-01
|
| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/12269 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1832581284354850816 |
|---|---|
| author | Mario Martino |
| author_facet | Mario Martino |
| author_sort | Mario Martino |
| collection | DOAJ |
| description | This paper focuses on two transpositions of Oliver Twist: Oliver!, by Carol Reed, and the Walt Disney cartoon Oliver & Company, both of which are musicals. Both films underscore a crucial interest in the urban milieu and enthusiastically explore it, stressing an optimistic culmination in happy ending. Crucial to this perspective, one of the major structural devices of Oliver! is its division into two halves, each beginning in a splendid view of city life, its teeming vitality, richness, and variety of trades: an alluring setting to the orphan’s symbolic rebirths. Oliver & Company, emphasizing the fairy-tale elements of the novel, draws on Reed’s optimistic perception, with contemporary New York replacing nineteenth-century London. Strolling the city, the abandoned kitten Oliver is lectured by Dodger to be ‘street smart’ . . . /to ‘get a New York City heart.’ |
| format | Article |
| id | doaj-art-15c31566e2214b878dc0415cbbfdfc3a |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2012-01-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-15c31566e2214b878dc0415cbbfdfc3a2025-01-30T10:20:58ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492012-01-0110.4000/cve.12269Olivers Twisted: Urban Milieu from Text to MediaMario MartinoThis paper focuses on two transpositions of Oliver Twist: Oliver!, by Carol Reed, and the Walt Disney cartoon Oliver & Company, both of which are musicals. Both films underscore a crucial interest in the urban milieu and enthusiastically explore it, stressing an optimistic culmination in happy ending. Crucial to this perspective, one of the major structural devices of Oliver! is its division into two halves, each beginning in a splendid view of city life, its teeming vitality, richness, and variety of trades: an alluring setting to the orphan’s symbolic rebirths. Oliver & Company, emphasizing the fairy-tale elements of the novel, draws on Reed’s optimistic perception, with contemporary New York replacing nineteenth-century London. Strolling the city, the abandoned kitten Oliver is lectured by Dodger to be ‘street smart’ . . . /to ‘get a New York City heart.’https://journals.openedition.org/cve/12269 |
| spellingShingle | Mario Martino Olivers Twisted: Urban Milieu from Text to Media Cahiers Victoriens et Edouardiens |
| title | Olivers Twisted: Urban Milieu from Text to Media |
| title_full | Olivers Twisted: Urban Milieu from Text to Media |
| title_fullStr | Olivers Twisted: Urban Milieu from Text to Media |
| title_full_unstemmed | Olivers Twisted: Urban Milieu from Text to Media |
| title_short | Olivers Twisted: Urban Milieu from Text to Media |
| title_sort | olivers twisted urban milieu from text to media |
| url | https://journals.openedition.org/cve/12269 |
| work_keys_str_mv | AT mariomartino oliverstwistedurbanmilieufromtexttomedia |