Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)

In the construction of the city filmic spaces, the inhabitants constitute a key element, as well as filmic processes, visual or sound. Through six emblematic films produced throughout the second half of 20th century, we analyze how the representation of Madrid inhabitants evolves, what its functions...

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Main Author: Marianne Bloch-Robin
Format: Article
Language:English
Published: Centre de Recherches Ibériques et Ibéro-Américaines 2014-12-01
Series:Cahiers de Civilisation Espagnole Contemporaine
Subjects:
Online Access:https://journals.openedition.org/ccec/5237
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author Marianne Bloch-Robin
author_facet Marianne Bloch-Robin
author_sort Marianne Bloch-Robin
collection DOAJ
description In the construction of the city filmic spaces, the inhabitants constitute a key element, as well as filmic processes, visual or sound. Through six emblematic films produced throughout the second half of 20th century, we analyze how the representation of Madrid inhabitants evolves, what its functions and characteristics are in the construction of urban and suburban spaces and how it changes depending of the time frame and the singular views of the film directors.
format Article
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institution Kabale University
issn 1957-7761
language English
publishDate 2014-12-01
publisher Centre de Recherches Ibériques et Ibéro-Américaines
record_format Article
series Cahiers de Civilisation Espagnole Contemporaine
spelling doaj-art-0e56446c1f2b4078bba90fc643d861e32025-01-30T10:10:35ZengCentre de Recherches Ibériques et Ibéro-AméricainesCahiers de Civilisation Espagnole Contemporaine1957-77612014-12-011310.4000/ccec.5237Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)Marianne Bloch-RobinIn the construction of the city filmic spaces, the inhabitants constitute a key element, as well as filmic processes, visual or sound. Through six emblematic films produced throughout the second half of 20th century, we analyze how the representation of Madrid inhabitants evolves, what its functions and characteristics are in the construction of urban and suburban spaces and how it changes depending of the time frame and the singular views of the film directors.https://journals.openedition.org/ccec/5237cinemaurban spaceMadrid inhabitantscitycity dwellerssuburban space
spellingShingle Marianne Bloch-Robin
Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
Cahiers de Civilisation Espagnole Contemporaine
cinema
urban space
Madrid inhabitants
city
city dwellers
suburban space
title Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
title_full Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
title_fullStr Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
title_full_unstemmed Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
title_short Les Madrilènes et les espaces de la ville : de Surcos (José Antonio Nieves Conde, 1951) à Barrio (Fernando León de Aranoa, 1998)
title_sort les madrilenes et les espaces de la ville de surcos jose antonio nieves conde 1951 a barrio fernando leon de aranoa 1998
topic cinema
urban space
Madrid inhabitants
city
city dwellers
suburban space
url https://journals.openedition.org/ccec/5237
work_keys_str_mv AT marianneblochrobin lesmadrilenesetlesespacesdelavilledesurcosjoseantonionievesconde1951abarriofernandoleondearanoa1998