Les Archives de la planète, entre ressource documentaire et matière à récits

The technical developments of the late 19th century, which favoured travel and the mechanical recording of reality, gave rise to world-documentation ventures. Banker, philanthropist and pacifist Albert Khan created The Archives of the Planet, one of the richest collections of colour images and films...

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Main Author: Valérie Perlès
Format: Article
Language:fra
Published: Laboratoire d'Ethnologie et de Sociologie Comparative 2022-03-01
Series:Ateliers d'Anthropologie
Subjects:
Online Access:https://journals.openedition.org/ateliers/16037
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author Valérie Perlès
author_facet Valérie Perlès
author_sort Valérie Perlès
collection DOAJ
description The technical developments of the late 19th century, which favoured travel and the mechanical recording of reality, gave rise to world-documentation ventures. Banker, philanthropist and pacifist Albert Khan created The Archives of the Planet, one of the richest collections of colour images and films between 1909 and 1931. During Albert Khan’s lifetime, the academic, documentary, activist and aesthetic dimensions interacted. Since then, the collections have been passed on to the department of Hauts-de-Seine, and the banker’s estate has become a museum. This article shows to what extent the heterogeneous character of the initial aims are found in current uses of the archives, between a simple documentary reservoir on the world at that time, a scientific contextualisation project, and appropriations by memory and art.
format Article
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institution Kabale University
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publishDate 2022-03-01
publisher Laboratoire d'Ethnologie et de Sociologie Comparative
record_format Article
series Ateliers d'Anthropologie
spelling doaj-art-0b96e25d52eb43308f793c274d9bc39f2025-01-30T13:42:31ZfraLaboratoire d'Ethnologie et de Sociologie ComparativeAteliers d'Anthropologie2117-38692022-03-015110.4000/ateliers.16037Les Archives de la planète, entre ressource documentaire et matière à récitsValérie PerlèsThe technical developments of the late 19th century, which favoured travel and the mechanical recording of reality, gave rise to world-documentation ventures. Banker, philanthropist and pacifist Albert Khan created The Archives of the Planet, one of the richest collections of colour images and films between 1909 and 1931. During Albert Khan’s lifetime, the academic, documentary, activist and aesthetic dimensions interacted. Since then, the collections have been passed on to the department of Hauts-de-Seine, and the banker’s estate has become a museum. This article shows to what extent the heterogeneous character of the initial aims are found in current uses of the archives, between a simple documentary reservoir on the world at that time, a scientific contextualisation project, and appropriations by memory and art.https://journals.openedition.org/ateliers/16037databasemuseumcreationArchives of the Planetvisual documentationreuse
spellingShingle Valérie Perlès
Les Archives de la planète, entre ressource documentaire et matière à récits
Ateliers d'Anthropologie
database
museum
creation
Archives of the Planet
visual documentation
reuse
title Les Archives de la planète, entre ressource documentaire et matière à récits
title_full Les Archives de la planète, entre ressource documentaire et matière à récits
title_fullStr Les Archives de la planète, entre ressource documentaire et matière à récits
title_full_unstemmed Les Archives de la planète, entre ressource documentaire et matière à récits
title_short Les Archives de la planète, entre ressource documentaire et matière à récits
title_sort les archives de la planete entre ressource documentaire et matiere a recits
topic database
museum
creation
Archives of the Planet
visual documentation
reuse
url https://journals.openedition.org/ateliers/16037
work_keys_str_mv AT valerieperles lesarchivesdelaplaneteentreressourcedocumentaireetmatierearecits