American Polka in the Media: From Next to Nothing to 24/7
From its very inception as a nineteenth century popular culture fad, the media presence of polka music has been crucial to its diffusion. In the 1940s and 1950s, polka enjoyed a high profile in American mass media. By the 1990s this presence was reduced to next to nothing. The advent of digital medi...
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| Format: | Article |
| Language: | English |
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Association Française d'Etudes Américaines
2020-06-01
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| Series: | Transatlantica |
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| Online Access: | https://journals.openedition.org/transatlantica/14042 |
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| author | Richard March |
| author_facet | Richard March |
| author_sort | Richard March |
| collection | DOAJ |
| description | From its very inception as a nineteenth century popular culture fad, the media presence of polka music has been crucial to its diffusion. In the 1940s and 1950s, polka enjoyed a high profile in American mass media. By the 1990s this presence was reduced to next to nothing. The advent of digital media has generated new platforms for the creation and sharing of polka music: internet radio, cable and satellite TV, and on-line videos. These new media have changed the nature of the interaction of communities of polka enthusiasts. |
| format | Article |
| id | doaj-art-095f9477a6d94f48a2099efd97ab3bb4 |
| institution | Kabale University |
| issn | 1765-2766 |
| language | English |
| publishDate | 2020-06-01 |
| publisher | Association Française d'Etudes Américaines |
| record_format | Article |
| series | Transatlantica |
| spelling | doaj-art-095f9477a6d94f48a2099efd97ab3bb42025-01-30T10:43:43ZengAssociation Française d'Etudes AméricainesTransatlantica1765-27662020-06-01110.4000/transatlantica.14042American Polka in the Media: From Next to Nothing to 24/7Richard MarchFrom its very inception as a nineteenth century popular culture fad, the media presence of polka music has been crucial to its diffusion. In the 1940s and 1950s, polka enjoyed a high profile in American mass media. By the 1990s this presence was reduced to next to nothing. The advent of digital media has generated new platforms for the creation and sharing of polka music: internet radio, cable and satellite TV, and on-line videos. These new media have changed the nature of the interaction of communities of polka enthusiasts.https://journals.openedition.org/transatlantica/14042PolkaYankovicdigital mediawebcastingRFD-TV |
| spellingShingle | Richard March American Polka in the Media: From Next to Nothing to 24/7 Transatlantica Polka Yankovic digital media webcasting RFD-TV |
| title | American Polka in the Media: From Next to Nothing to 24/7 |
| title_full | American Polka in the Media: From Next to Nothing to 24/7 |
| title_fullStr | American Polka in the Media: From Next to Nothing to 24/7 |
| title_full_unstemmed | American Polka in the Media: From Next to Nothing to 24/7 |
| title_short | American Polka in the Media: From Next to Nothing to 24/7 |
| title_sort | american polka in the media from next to nothing to 24 7 |
| topic | Polka Yankovic digital media webcasting RFD-TV |
| url | https://journals.openedition.org/transatlantica/14042 |
| work_keys_str_mv | AT richardmarch americanpolkainthemediafromnexttonothingto247 |