Cinéma et urbanité à Tunis sous le protectorat français

The development of cinema in Tunis did not seem, at first, to disrupt the geography of leisure in the city. Movie theaters were mostly located in the city center, favoring the most vibrant streets of the Tunisian capital. Exhibitors admittedly neglected the outskirts of the city. Yet movie theaters...

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Main Author: Morgan Corriou
Format: Article
Language:fra
Published: CNRS Éditions 2015-06-01
Series:L’Année du Maghreb
Subjects:
Online Access:https://journals.openedition.org/anneemaghreb/2446
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author Morgan Corriou
author_facet Morgan Corriou
author_sort Morgan Corriou
collection DOAJ
description The development of cinema in Tunis did not seem, at first, to disrupt the geography of leisure in the city. Movie theaters were mostly located in the city center, favoring the most vibrant streets of the Tunisian capital. Exhibitors admittedly neglected the outskirts of the city. Yet movie theaters were scattered across the new town and started penetrating a medina doomed to marginalization, proving that the ancient forms of urbanization were not irreconcilable with the new urban lifestyle. Movie consumption was first and foremost a local activity. But neither the social influence of the local cinema nor the symbolic frontiers dividing the city could confine movie lovers. The expansion of the cinema generated new flows of moviegoers throughout the city and helped Tunisians to reclaim the public space. In the post-war years, the movie theaters of the “European” center became a place of conviviality for an educated youth whose urban identity would be rooted there.
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series L’Année du Maghreb
spelling doaj-art-05b15f4b88f54d41bff53eb313d2ab0d2025-01-30T09:55:53ZfraCNRS ÉditionsL’Année du Maghreb1952-81082109-94052015-06-011218119510.4000/anneemaghreb.2446Cinéma et urbanité à Tunis sous le protectorat françaisMorgan CorriouThe development of cinema in Tunis did not seem, at first, to disrupt the geography of leisure in the city. Movie theaters were mostly located in the city center, favoring the most vibrant streets of the Tunisian capital. Exhibitors admittedly neglected the outskirts of the city. Yet movie theaters were scattered across the new town and started penetrating a medina doomed to marginalization, proving that the ancient forms of urbanization were not irreconcilable with the new urban lifestyle. Movie consumption was first and foremost a local activity. But neither the social influence of the local cinema nor the symbolic frontiers dividing the city could confine movie lovers. The expansion of the cinema generated new flows of moviegoers throughout the city and helped Tunisians to reclaim the public space. In the post-war years, the movie theaters of the “European” center became a place of conviviality for an educated youth whose urban identity would be rooted there.https://journals.openedition.org/anneemaghreb/2446urbanitycinemasspectatorshipyouthTunis
spellingShingle Morgan Corriou
Cinéma et urbanité à Tunis sous le protectorat français
L’Année du Maghreb
urbanity
cinemas
spectatorship
youth
Tunis
title Cinéma et urbanité à Tunis sous le protectorat français
title_full Cinéma et urbanité à Tunis sous le protectorat français
title_fullStr Cinéma et urbanité à Tunis sous le protectorat français
title_full_unstemmed Cinéma et urbanité à Tunis sous le protectorat français
title_short Cinéma et urbanité à Tunis sous le protectorat français
title_sort cinema et urbanite a tunis sous le protectorat francais
topic urbanity
cinemas
spectatorship
youth
Tunis
url https://journals.openedition.org/anneemaghreb/2446
work_keys_str_mv AT morgancorriou cinemaeturbaniteatunissousleprotectoratfrancais