Are Pitch-Class Profiles Really “Key for Key”?
Most current approaches to key-finding, either from symbolic data such as MIDI or from digital audio data, rely on pitch-class profiles. Our alternative approach is based on two ideas: first, that chord progressions, understood rather loosely as pairs of neighboring harmonic states demarcated by not...
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Main Author: | Ian Quinn |
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Format: | Article |
Language: | deu |
Published: |
Gesellschaft für Musiktheorie (GMTH)
2010-01-01
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Series: | Zeitschrift der Gesellschaft für Musiktheorie |
Subjects: | |
Online Access: | https://storage.gmth.de/zgmth/pdf/513 |
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