Are Pitch-Class Profiles Really “Key for Key”?

Most current approaches to key-finding, either from symbolic data such as MIDI or from digital audio data, rely on pitch-class profiles. Our alternative approach is based on two ideas: first, that chord progressions, understood rather loosely as pairs of neighboring harmonic states demarcated by not...

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Bibliographic Details
Main Author: Ian Quinn
Format: Article
Language:deu
Published: Gesellschaft für Musiktheorie (GMTH) 2010-01-01
Series:Zeitschrift der Gesellschaft für Musiktheorie
Subjects:
Online Access:https://storage.gmth.de/zgmth/pdf/513
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