View (1940-47), the Avant-garde, and the Uncertain Life of Objects: Criticism as if Fragments Mattered

This article seeks to study avant-garde cultural production as a fragmentary discourse invested in exploiting the potential incongruity of objects disconnected from overarching narratives. As guiding critical models to this end, it assesses Walter Bejamin's use of montage and Roland Bruthes�...

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Bibliographic Details
Main Author: Juan A. Suárez
Format: Article
Language:English
Published: Universidad de Zaragoza 1997-12-01
Series:Miscelánea: A Journal of English and American Studies
Online Access:https://papiro.unizar.es/ojs/index.php/misc/article/view/11300
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