View (1940-47), the Avant-garde, and the Uncertain Life of Objects: Criticism as if Fragments Mattered
This article seeks to study avant-garde cultural production as a fragmentary discourse invested in exploiting the potential incongruity of objects disconnected from overarching narratives. As guiding critical models to this end, it assesses Walter Bejamin's use of montage and Roland Bruthes...
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| Format: | Article |
| Language: | English |
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Universidad de Zaragoza
1997-12-01
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| Series: | Miscelánea: A Journal of English and American Studies |
| Online Access: | https://papiro.unizar.es/ojs/index.php/misc/article/view/11300 |
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