Interpersonality Communication of Writer, Character and Reader in Belles-Lettres by A. S. Komarov

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The Brass-Bells Drum: An African Literary Writer’s imaging of Neo-colonial woes in Nigeria by Arinpe G. Adejumo, Emmanuel Akinyinka Ilori

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Writer identification and writer retrieval based on NetVLAD with Re‐ranking by Shervin Rasoulzadeh, Bagher BabaAli

“…Abstract The issue of writer identification and writer retrieval, which is considered a challenging problem in the field of document analysis and recognition is addressed here.. …”
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Texture feature column scheme for single‐ and multi‐script writer identification by Faycel Abbas, Abdeljalil Gattal, Chawki Djeddi, Imran Siddiqi, Ameur Bensefia, Kamel Saoudi

“…Abstract Identification of writers from images of handwriting is an interesting research problem in the handwriting recognition community. …”
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The Author Inside: Celebrity Photography 1840‒1902 by Audrey Doussot

“…The representation of interiors in most photographic portraits of Victorian and Edwardian writers appears as a key element contributing to constructing the writer as a sociocultural type and a public figure. …”
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Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

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« J’ai lu votre livre » by Marion Marx

“…In this text which, a priori, never reached its main recipient, Marina Tsvetaeva, at that time a solitary star exiled and marginalized in France, tries to establish if not a communication, at least a communion, fictitious but sensitive, with two lesbian writers, two “white visions”: one contemporary but inaccessible, and the other who became a mythical image or an ethereal reflection. …”
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Leveraging deep feature learning for handwriting biometric authentication by Parvaneh Afzali, Abdoreza Rezapour, Ahmad Rezaee Jordehi

“…The authentication of writers through handwritten text stands as a biometric technique with considerable practical importance in the field of document forensics and literary history. …”
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Denying the Dichotomy: Word Images in The Waves by Bernadette McCarthy

“…Roger Fry’s introduction to Britain of the works of Post-impressionist painters was to impact significantly on the artistic development of writers including Virginia Woolf. Out of this convergence of visual and verbal thought, The Waves emerged; a literary work deeply implicated in visual convention. …”
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ANTHROPOLOGICAL COMPREHENSION OF A WOMAN-AUTHOR AS THE SUBJECT OF CULTURE THROUGH THE PRISM OF LANGUAGE AND LITERATURE (GENDER ASPECT) by I. A. Koliieva, T. A. Kuptsova

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Existentialism through the Literary Images in the Short Stories of V. Pidmohylny and M. Yatskiv by Ihor Karivets, Andrii Kadykalo

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‘Appelsinpiken’ and experiential tourism. Andalusia, ‘geography with a thrill’ by Maria del Carmen Puche Ruiz

“…In keeping with the canons of Romanticism and the premises of ‘experiential tourism’, Seville’s colourful appearance in the film is limited to promoting the city as a tourism destination that is utterly stuck in the past : an audiovisual appeal to the tourist ego via the emotional vision of the phenomenon of a journey.For this analysis, a qualitative study is conducted of both Andalusia’s importance as a destination for the Norwegian tourism market and the contrast between the two images of Seville, so far apart in time, described by two Nordic writers-tourists, (Andersen and Gaarder), along with the reactions to the shooting and première of ‘Appelsinpiken’. …”
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La figure de la comparaison chez Flaubert by Nathalie Petibon

“…We will show the pregnant and nodal character of the image comparison in Flaubert’s stylistics, by observing in succession: the nature of the personal relationship the writer had with this figure, the way it functions in the work and, finally, the critical reception of Flaubert’s comparisons. …”
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“From in the light I touched the light” by Anne-Laure Tissut

“…In the collaborative graphic novel Ever, writer Blake Butler and visual artist and writer Derek White explore the various forms of interaction between text and image to open out the possibilities of meaning and representation. …”
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O papel do sujeito face à imagem. Interpretações estruturo-fenomenológicas: o caso de estudo das Pinturas murais de São Francisco de Bragança by Inês Afonso Lopes

“…The historiography and its role concerning the art and images, throughout the last decades are adopting as the main way of investigation the so called historical anthropology, as heritage of the works from writers like Marc Bloch, Fernand Braudel e Jacques Le Goff. …”
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On Resisting Global Disposability, Regimes of Death-Making and Accumulation by Rupinder Parhar

“…The British writer Rupinder Parhar gave a talk on feminist acts of resistance at an art exhibition workshop in London in March 2024. …”
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Les taches de Flaubert by Arden Reed

“…The two artists are joined —and separated —by the « tache » (stain, blot, mark), inseparably word and image. Flaubert is a strikingly visual writer. « Make pictures, » he regularly instructs himself, but they are hardly legible ones. …”
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After the Dance d’Edwidge Danticat : visions carnavalesques de l’espace haïtien by Corinne Duboin

“…In my analysis of Edwidge Danticat’s travelogue, I will explore the Haitian American writer’s treatment of the carnivalesque in both her representation of her native land (its geography, history and culture) and her apprehension of a new self-image.…”
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Robert Louis Stevenson and the ‘Optic Nerve’. Portraiture in Weir of Hermiston by Clotilde De Stasio

“…I shall try to demonstrate that, while delineating the powerful image of the Scottish Judge, Lord Braxfield, the writer had in mind his portrait by Raeburn. …”
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News Releases and Public Service Announcements by Ricky Telg

“…Written by Ricky Telg and published by the UF Department of Agricultural Education and Communication, August 2011. (Image: Tom Nordlie, IFAS news writer, works on a story. …”
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