Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

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The Author Inside: Celebrity Photography 1840‒1902 by Audrey Doussot

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Reading the Colours of Victorian Interiors: The Poetic Home Revisited by Charlotte Ribeyrol

“…As a consequence, the ‘evolution’ of the colour-sense received unprecedented attention, not only from the scientists who made colour production and colour perception their new object of study, but also from artists and writers like John Ruskin or William Morris who placed colour at the centre of the creative process. …”
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“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema by Ian Scott

“…British visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. …”
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The effect of gender on the story-writing style of the novels My Bird, From Satan Learnt and Burnt, Your Redness from Me, and Bibi Shahrazad based on Sara Mills’s Theory by Fatemeh Ranjbar, Hassan Akbari Beyragh

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Kaffeehausliteraten und Exilliteratur im Kontext von Marc Augés Pariser Bistro: Kracauer, Roth und Kesten by Jan T. Schlosser

“…A self-promotion as a café writer is explicit in Kesten’s Dichter im Café and in Roth’s Im Bistro nach Mitternacht. …”
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Les jeudis d’Émile Zola by Alain Pagès

“…We examine the regular Thursday night get-togethers Zola used to have during most of his life : the writer gathered at his home his closest friends, in particular his disciples of the naturalist school. …”
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Taking Place and Finding One’s Place: Unhomely Events in Mohsin Hamid’s The Reluctant Fundamentalist (2007) and Exit West (2017) by Maëlle Jeanniard du Dot

“…In his novels The Reluctant Fundamentalist (2007) and Exit West (2017), Pakistani writer Mohsin Hamid plunges the reader into the core of real-life events through purely fictional material. …”
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Glocalization of Yoruba Omoluwabi Ideology by Ademola O. Dasylva

“…Previous studles have examined the concept of Omoluwabi, inves­tigated its possible source(s) or origin, and explored its philosophy. The pres­ent writer has also been privileged, at different forums, to extend the study's frontiers in different directions, including evolving a home-grown theoretical basis for ideologizing the indigenous Yoruba concept. …”
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“The compass of possibilities”: Re-Mapping the Suburbs of Los Angeles in the Writings of D.J. Waldie by Neil Campbell

“…This article uses the works of the writer, memoirist, and Lakewood, California public official, D. …”
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The Role of New Orleans Parish Prison in Joyce Carol Oates’s “Aiding and Abetting” by Tanya TROMBLE

“…Steven and Holly’s idyllic home life with their two young children in urban northern New Jersey is interrupted by frequent disturbing evening phone calls from Holly’s mentally unstable brother, Owen. …”
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Isabella Bird’s Unbeaten Tracks in Japan ou le récit de voyage comme autoportrait d’une aventurière engagée by Floriane REVIRON-PIÉGAY

“…Unbeaten Tracks in Japan is much more than just Isabella Bird’s account of her discovery of Japan; it is also the story of a woman who wanted to break free from the constraints imposed upon her at home by a stifling, patriarchal society. Bird chose to explore unbeaten tracks both literally speaking and figuratively speaking as her travel account plays with the conventions of the genre. …”
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‘I should like to see a woman smoking while she was nursing her baby’: The New Woman, Crossdressing, and Humour in Horace William Bleackley’s Une Culotte (1894) by Mariam Zarif

“…Then I examine how as a male New Woman writer Bleackley successfully uses female cross-dressing to humorous effect in order to empower the New Woman with opportunities that extend beyond the parameters of home. …”
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Adébáyọ̀ Fálétí, Icon on Screen by Toluwanimi Ibikunle

“… One of the main chords through which Yorùbá cinema connects with its core target audience – the Yorùbá people both at home and in the diasporas – is the penchant of Yorùbá filmmakers to present core traditional values, mores, philosophies and customs in their works. …”
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L’excès dans la fiction de Wilkie Collins by Françoise Dupeyron-Lafay

“…Both men are ill, marginal, stand for eccentricity and excess, and occasionally act as Collins’s mouthpieces, too.The writer’s ironic and subversive use of these characters to promote « happy endings » may therefore be regarded as another kind of excess.…”
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DYSPHEMISM USED IN DEADPOOL MOVIE PAPER TITLE by Maria Ayu Pretty Sitanggang, Eddy Setia, Rohani Ganie

“…Dysphemism in Deadpool is problematized in its home country, i.e. the United States, due to its excessive occurrences. …”
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'A journey around his room': Genre uniqueness of I.A. Goncharov's novel 'Oblomov' by L.A. Sapchenko

“…Goncharov, which is connected, as it would seem, only with the book of essays “Frigate Pallas”, is actually present in all three novels of the writer, showing itself as a theme or a motive and as a symbolic image or an ideal form of human activity. …”
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London’s Great Starfish: The Construction of Mid-Victorian Suburban Fiction by Tamara Silvia Wagner

“…At the mid-nineteenth century, however, ‘the suburban’ formed an expanding field for fictional explorations in which the association between urbanisation and ventures into foreign spaces powerfully drew into debate the promotion of ‘suburbanism’ as the ultimate manifestation of the divorce of home and workplace. The construction of suburban fiction operated within a negotiation of domesticity and alterity that brought home the potentials and problems associated with urban expansion. …”
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Que dire de la montagne ? Arthur Young dans les Pyrénées (1787) by Jacques Raynaud

“…Consequently, description is an essential feature of those books. When travel writers came to places which had no equivalent in their home country, they had nothing to refer their readers to to give them an idea of what they were talking about. …”
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Figurations of Attachment in Sylvia Plath and Halina Poświatowska by Agnieszka Pantuchowicz

“…This memory, partly constituted by the play of attachments and detachments, is also crucial for the understanding of the role of the ideas of home and homeland seen as a refigured space of attachment in which the idea friendship and its various bonds are links with what is close to oneself, even if this closeness is felt as unwelcome and troublesome.…”
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