The worlds of limited-edition books (Arthur Clarke, Robert Heinlein, Wojciech Kajtoch, Stanisław Lem) by D.E. Martynov

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Healthy connections: Crafting compelling healthcare marketing strategies by El Khair Riat, Aini Qurratul

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Trabalho artesanal e trabalho industrial como elementos de sociabilidade, subjetividade e tragédia em “A mão esquerda”, de Roniwalter Jatobá by Angela Maria Rubel Fanini, Adriana Cabral dos Santos

“…This paper investigates the short story “A mão esquerda”, by the Brazilian writer Roniwalter Jatobá, focusing the handy craft labor as an element of subjectiveness, sociability and ontology and factory labor as an element of depersonalization, disagregation and tragedy. …”
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“She who would refine the fabric:” Contexts for Reading the Embroidering and Writing of Florence Farr and Una Taylor by Jane SPIRIT

“…Both Florence Farr and Una Taylor were Arts and Crafts embroiderers and writers whose work was published in John Lane’s avant-garde “Keynotes” series in the eighteen nineties. …”
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Geo Bogza – lecţia de libertate şi poetica exasperării by Loredana Opăriuc

“…His works contain, as a common feature, the idea of real freedom, not an imagined one, a poet, or a writer in general, being, in his view, necessarily free from society rules, literary conventions, prejudices and other restrictive laws. …”
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Tat[o]ueur : pouvoirs du tatouage dans Little Tulip, de Jerome Charyn et François Boucq by Sophie Vallas

“…Little Tulip (2014) is the third collaboration between US writer Jerome Charyn and French comic strip artist François Boucq. …”
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Interviews with multimedia comics creators—how Hannah Berry, Lance Dann and Tom McNally use audio drama to move their work into new areas of storytelling by Alex Fitch

“…In this interview he discusses how his storytelling craft was honed by the medium of comics, with obvious changes made when moving into the aural medium. …”
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Herkules Poirot i marny kryminał. Na marginesie powieści Agathy Christie „Morderstwo w Orient Expressie” (1934) by Anna Gemra

“…Van Dine and Ronald Knox) intended for writers meaning to craft a good crime story. In Murder on the Orient Express, Agatha Christie reached for many solutions well known to readers from ‘poor crime stories,’ such as the appearance of the murderer, basing the investigation on hunches instead of deduction, introducing more than one villain, etc. …”
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“I Put Myself Back in the Narrative”: Hamilton as Founders Fanfiction by Jeremy Brett

“…This practice lets fanfic creators craft their own narratives with their own sense of agency and identity and make them more meaningful. …”
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"[T]hings among the ruins" : les choses contre le roc dans The Song of the Lark et The Professor’s House de Willa Cather by Céline Manresa

“…Like a sculptor chiselling marble, the author fashions the raw material of language in order to create a simple and concrete prose linking the literariness of discourse and the literalness of the world. Cather’s crafted writing engages in the physical world. If material things pave the way to a gentle taming of the wilderness, the objects modelled by cliff-dwellers epitomize the homology between the writer’s and the potter’s gestures. …”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“… Let us begin with an unfortunate fact: Adébáyọ̀ Fálétí is one major writer that is hardly anthologized. The problem could not have been that he wrote in Yorùbá because Fágúnwà is far more anthologized than he is. …”
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EXPLORING THE RHETORICAL STRUCTURES IN UNDERGRADUATE THESIS INTRODUCTIONS: A GENRE ANALYSIS by Muhammad Haris Mustaqim, Rizka Sylvia

“…The findings reveal consistent application of Moves 1, 2, and 3, although the frequency of specific steps varies. Moreover, all writers demonstrated appropriate sequencing of moves and steps, aligning with the CARS framework. …”
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Voltaire et Contant d’Orville: le 'Voltaire portatif' (1766), une lettre inconnue, un remerciement à l’auteur, et une réplique voilée à l’archevêque d’Auch by John R. Iverson

“…Subsequently, the essay analyses Voltaire’s response to Contant d’Orville, first as a typical example of the numerous letters the philosophe wrote to thank younger writers who had sent their works to him, and then as a carefully crafted attack against the archbishop of Auch who had explicitly targeted Voltaire in a pastoral letter dating from 1764. …”
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