Felix Aderca – scriitorul sub vremuri by Mihaela Iancu

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Screen interpretation of Franz Kafka's novel 'The Trial': Interaction of the author with the s­cript writer and film director by K.V. Arjantzeva

“…Harold Pinter is a British writer, playwright, poet and screenwriter, and the recipient of the Nobel Prize in Literature in 2005, whose artistic genius is familiar to the Russian reading audience. …”
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Arlington Park: Variations on Virginia Woolf’s Mrs Dalloway by Monica LATHAM

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The worlds of limited-edition books (Arthur Clarke, Robert Heinlein, Wojciech Kajtoch, Stanisław Lem) by D.E. Martynov

“…This paper reviews four books, all dedicated to the study of the science fiction genre and the biography of science-fiction writers. They were published in Russian in an extremely limited number. …”
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“Новая литература не возникает как пистолетный выстрел в ночи”. Об институциональных границах первых советских массовых писательских объединений... by Dar’ia Moskovskaia, Vagif Guseinov

“… The article discusses early Soviet literary institutions that took on the mission of uniting the writers’ forces: VAPP (the All-Russian Association of Proletarian Writers), whose institutional practices exhibit a pronounced sectarian nature and confrontational strategies, closely related to the early Proletkul’t, and demonstrate a distinctly ‘creative’ class-based nature; FOSP (the Federation of Soviet Writers), whose institutional nature was instrumental and artificial, this institution being “the first real example of the party’s concern for establishing basic conditions for the growth of new culture in the early years of the new regime” (Metcalf); and the Organizing Committee of the Union of Soviet Writers (SSP), which, despite sharing some similarities with FOSP, fundamentally differed from the latter through direct party leadership and funding, and gradually became a state structure – the Union of Soviet Writers. …”
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Les conditions de la mondialisation d’une œuvre francophone africaine by Pierre Boizette

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La crise de l’urbain et la condition moderne dans les romans de Saul Bellow by Timea Lönhardt

“…This paper proposes to study the correspondence that Saul Bellow’s novels establish between the urban crisis and the human condition in the United States of the second half of the twentieth century, which will eventually entail a discussion of the writer’s conception of the modern world in its social, political and intellectual aspects. …”
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Une nouvelle gouvernance : une condition nécessaire à la reprise économique en Irlande ? by Anne Groutel

“…But the conditions necessary to “good governance” are clearly felt to be missing. …”
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AN ANALYSIS OF STUDENTS’ ABILITY IN USING CONDITIONAL SENTENCES OF THE SIXTH SEMESTER STUDENTS IN ENGLISH DEPARTMENT OF TARBIYAH FACULTY IAIN ANTASARI by Saadillah Saadillah, Herlena Herlena

“…The problems in this research are: 1) how is students’ ability in using conditional sentences?  2) what is the most students’ common error in using conditional sentences? …”
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Vasile Pârvan by Eugen Simion

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Conditions spatiales de la démocratie participative. « Meetings » à Vosloorus (Ekurhuleni, Afrique du Sud) by Philippe Gervais-Lambony

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Identify the Message of Ursula Le Guin’s The Ones Who Walk From Omelas though Its Thematic Structure by Putri Ayu Rezkiyana

“…In the findings, it is found that the writer ends to use declarative mood in the story to describes the condition, while the imperative mood is used to invite the readers to follow the speaker’s ideas and the interrogative mood is to criticize the society. …”
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Metaleptic Variations by Dominique Pernot

“…Josipovici provides a phenomenological, self-reflexive metacommentary on the writer’s condition and acknowledges the limits of fiction writing, while recognizing the fleeting, evanescent presence of the artist who passes “through the world”, exemplified by the figure of the artist represented on a postcard, a reproduction of The Wander-Artist by Paul Klee, with whom the narrator closely identifies.…”
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Nemocné tělo v denících Tobiáše Antonína Seemana by Radmila Pavlíčková

“… Diary records made by Tobias Anton Seeman, Hofmeister of Count Franz Anton Sporck and his son-in-law, Franz Karl Swéerts-Sporck, preserved from 1726–1747, with little intervals, contain, inter alia, records of the lords’ and the writer’s ailments and their treatment. The analyses of Seeman’s references to sick bodies have led to the hypothesis that recording such information was caused by the need to compile a practical manual detailing the symptoms of diseases and their progress for the author and his master to use for a more exact recapitulation of their health condition in consultations with physicians. …”
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Palabras nómadas by Fernando Aínsa

“…The new Latin-American narration reflects the importance of such figures as exodus and exile, and kindles the «nomadic condition», the notions of uprooting and «cultural runaway», the «migratory artist», as elements of identity in the globalization processes. …”
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Junqueiro and Saramago : Portugal, God and the human being by Carlos Nogueira

“…In particular, it aims to compare and understand how Junqueiro, now almost completely forgotten, and Saramago, a writer of global renown, address themes such as Portugal's decline, Portuguese politics and society, God, and the human condition. …”
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Vladimir Nabokov, un exemple d’aliénation créatrice by Marie Bouchet

“…Nabokov, himself a trilingual writer, challenged the very idea of a foreign language. …”
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El terror gótico latinoamericano de Mariana Enriquez como propuesta virtual en el museo Malba: una crítica social y de género by Silvia Beatriz  Fernández

“…This article analyzes an interview conducted by Malena Rey with the Argentinian writer Mariana Enriquez at the Museo Malba in Buenos Aires, Argentina. …”
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DYSPHEMISM USED IN DEADPOOL MOVIE PAPER TITLE by Maria Ayu Pretty Sitanggang, Eddy Setia, Rohani Ganie

“…There are 95 dysphemism data obtained and observed by the writer. The result of this research shows that three types of dysphemism are found in the movie, i.e. profanity, obscenity, and insult. …”
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« A Shadow behind the Heart » : l’Étranger au cœur de l’intime dans Pnin de Nabokov by Lara Delage-Toriel

“…According to Nabokov, the writer’s one and only passport is his style, which allows him to cross and especially transcend any geopolitical boundary. …”
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