(Women Writing) The Modernist Line by Cristanne Miller

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Introduction: (Hi)stories of American Women: Writings and Re-writings by Anne Stefani

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Conference “(Hi)stories of American Women: Writings and Rewritings” by Élise Vallier

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Judith Johnston, Victorian Women and the Economies of Travel by Céline Sabiron

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African American Womanhood: A Study of Women’s Life Writings (1861-1910s) by Élise Vallier

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Audrey Goodman, A Planetary Lens: The Photo-Poetics of Western Women’s Writing by Rachel Sailor

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The Pastoral Ethos of Joseph McElroy’s Writing: Lookout Cartridge and Women and Men by Richard Anker

“…This article begins by proposing a very partial reading of Lookout Cartridge (1974) as a means of opening the way to a more comprehensive analysis of Women and Men (1987), an analysis which restricts itself, however, to a treatment of the main “man” of the novel, James Mayn, and in particular to his relation to his apparently suicidal mother. …”
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Gender, race, and life writing in the ethnography of Ruth Landes in Bahia by Sally Cole

“…American anthropologist Ruth Landes (1908-1991) conducted ethnographic fieldwork in candomblé centers, terreiros, in Salvador, Bahia, in 1938-1939. In her book City of Women (1947) and journal articles she recorded her observations on matrifocality and gender variance and portrayed Afro-Brazilian culture as dynamic and innovative. …”
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Łucja Rautenstrauchowa's In and beyond the Alps: the Case of a Sentimental Italian Tour by Magdalena Ożarska

Subjects: “…women’s travel writing…”
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Matriarchal Exemplarity in Elizabeth Isham’s Booke of Rememberance by Emma Rayner

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Early Modern Exemplars: Reading Strategies and the Assertion of Readerly Identity and Authority in the Life-writing of Mary Ward, Dionys Fitzherbert and Elizabeth Isham by Martin Thompson

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White Women in the 1960s Freedom Movement, From Memory to History: The writing of “Shiloh Witness,” a chapter in Deep in Our Hearts (2000) by Joan Browning

“…Browning, a white female veteran of the 1960s Civil Rights Movement, reflects on the writing of an autobiographical chapter she wrote for a collective book published in 2000 (Deep in Our Hearts: Nine White Women in the Freedom Movement). …”
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Langage égalitaire : vers une rationalisation des procédés et des approches by Éliane Viennot

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Les intellectuelles européennes et la Guerre d’Espagne : de l’engagement personnel à la défense de la République espagnole by Allison Taillot

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Duncan’s Stein Writings: Derivation and Logopoeia by Daniel Katz

“…This allows for a recontextualisation of Stein within the history of Anglo-American modernist poetry by women, and a consideration of its consequences. The paper ends with a brief examination of the relationship of Duncan and Spicer in their shared but distinct projects of challenging essential tenets of modernist lyric ideology, a project for which Stein proves a crucial resource to Duncan, not least in offering a form of “permission” for the exploration of certain forms of “bad” writing.…”
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La escritura borrada de las mujeres. Itinerarios lectores inclusivos y (re)construcción del canon poético / The erased writing of women. Inclusive reading itineraries and (re)construction of the poetic canon by Remedios Sánchez-García, Pablo Aparicio-Durán

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Vulnerability and Shame in the Writing of the Female Body: Emilie Pine’s Notes to Self by Lucía Bennett-Ortega

“…Drawing on vulnerability studies and feminist criticism, I argue that the vulnerability and shame surrounding women’s bodies are reframed as agentic forces, motivating Pine to craft a distinctly feminist narrative. …”
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Perception and treatment of melancholy in the writings of Hildegard of Bingen (c. 1098-1179) by Eglė Sakalauskaitë-Juodeikienë

“… Hildegard of Bingen (c. 1098-1179) was a medieval nun and an abbess, a mystic, a composer, a poet, an author of medical treatises, and one of the few women at the time who wrote both theological and scientific texts. …”
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Serial Production, Serial Photography, and the Writing of History in Three Farmers on Their Way to a Dance by Flora Valadié

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Cultural Stereotypes, Literary Agency, and Postcolonial Writing: A Conversation with Shirin Ramzanali Fazel and Simone Brioni by Maria Morelli

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